a:2:{s:7:"current";a:9:{s:4:"date";a:2:{s:7:"created";i:1552509051;s:8:"modified";i:1680159211;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1680159211;s:2:"ip";s:14:"47.148.222.138";s:4:"type";s:1:"E";s:2:"id";s:10:"principles";s:4:"user";s:4:"mete";s:3:"sum";s:19:"[In Need of Terms] ";s:5:"extra";s:0:"";s:10:"sizechange";i:11;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}s:5:"title";s:27:"List Of Acoustic Principles";s:11:"description";a:2:{s:15:"tableofcontents";a:9:{i:0;a:4:{s:3:"hid";s:27:"list_of_acoustic_principles";s:5:"title";s:27:"List Of Acoustic Principles";s:4:"type";s:2:"ul";s:5:"level";i:2;}i:1;a:4:{s:3:"hid";s:6:"theory";s:5:"title";s:6:"Theory";s:4:"type";s:2:"ul";s:5:"level";i:3;}i:2;a:4:{s:3:"hid";s:16:"sound_generation";s:5:"title";s:16:"Sound Generation";s:4:"type";s:2:"ul";s:5:"level";i:3;}i:3;a:4:{s:3:"hid";s:13:"amplification";s:5:"title";s:13:"Amplification";s:4:"type";s:2:"ul";s:5:"level";i:3;}i:4;a:4:{s:3:"hid";s:16:"timbre_modifiers";s:5:"title";s:16:"Timbre Modifiers";s:4:"type";s:2:"ul";s:5:"level";i:3;}i:5;a:4:{s:3:"hid";s:24:"arts_and_culture_related";s:5:"title";s:24:"Arts and Culture Related";s:4:"type";s:2:"ul";s:5:"level";i:3;}i:6;a:4:{s:3:"hid";s:49:"electroacoustic_and_electronic_instrument_related";s:5:"title";s:49:"Electroacoustic and Electronic Instrument Related";s:4:"type";s:2:"ul";s:5:"level";i:3;}i:7;a:4:{s:3:"hid";s:8:"unsorted";s:5:"title";s:8:"Unsorted";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:8;a:4:{s:3:"hid";s:16:"in_need_of_terms";s:5:"title";s:16:"In Need of Terms";s:4:"type";s:2:"ul";s:5:"level";i:3;}}s:8:"abstract";s:284:"List Of Acoustic Principles

Here is a list of pages that describe some musical principles that are important to making unusual instruments. This page will feature short articles describing these principles and the ways that each of these principles has a tendency to be pronounced in";}s:8:"relation";a:2:{s:10:"references";a:95:{s:12:"idiosyncrasy";b:1;s:15:"pitch_continuum";b:0;s:11:"pitch_fluid";b:0;s:14:"unstable_pitch";b:0;s:12:"interference";b:0;s:16:"difference_tones";b:0;s:17:"combination_tones";b:0;s:9:"interface";b:0;s:9:"corporeal";b:0;s:13:"tonal_maximum";b:0;s:10:"turbulence";b:0;s:11:"tonal_chaos";b:0;s:6:"raunch";b:0;s:11:"terminality";b:0;s:11:"xenharmonic";b:0;s:8:"prepared";b:0;s:8:"tinkerer";b:0;s:10:"indiscrete";b:1;s:8:"fungible";b:1;s:14:"self_contained";b:1;s:15:"sound_sculpture";b:0;s:23:"self_playing_instrument";b:0;s:23:"cyclical_music_machines";b:0;s:11:"bart_hopkin";b:1;s:10:"stochastic";b:0;s:13:"site_specific";b:0;s:9:"iterative";b:0;s:11:"ghost_tones";b:0;s:10:"3rd_bridge";b:1;s:16:"shared_resonance";b:0;s:11:"free_string";b:0;s:9:"vibration";b:1;s:14:"free_vibration";b:0;s:16:"damped_vibration";b:0;s:16:"forced_vibration";b:0;s:6:"klaxon";b:0;s:13:"bowed_tongues";b:0;s:13:"lamellophones";b:0;s:6:"slides";b:0;s:9:"membranes";b:0;s:7:"springs";b:0;s:15:"steel_resonator";b:0;s:15:"constance_demby";b:1;s:13:"robert_rutman";b:1;s:10:"jan_heinke";b:0;s:17:"conical_resonator";b:0;s:12:"stroh_violin";b:0;s:16:"baschet_brothers";b:1;s:15:"timbre_modifier";b:0;s:8:"mirliton";b:0;s:12:"rattle_tines";b:0;s:15:"harmonic_filter";b:0;s:20:"enharmonic_filtering";b:0;s:17:"enharmonic_filter";b:0;s:12:"bisbigliando";b:0;s:6:"jivari";b:0;s:11:"rattle_tine";b:0;s:8:"movement";b:0;s:12:"moving_water";b:0;s:14:"richard_waters";b:1;s:5:"water";b:0;s:18:"nonuniform_strings";b:0;s:19:"william_a._sethares";b:0;s:10:"regulation";b:0;s:16:"undertone_series";b:1;s:16:"faceless_company";b:0;s:15:"universal_music";b:0;s:24:"alternative_music_theory";b:0;s:16:"future_primitive";b:0;s:23:"instrument_spiritualism";b:0;s:6:"panart";b:1;s:15:"robin_armstrong";b:1;s:13:"katie_grinnan";b:1;s:16:"francisco_lupica";b:1;s:24:"instrument_shaped_object";b:0;s:12:"richard_bobo";b:1;s:11:"bret_newton";b:0;s:13:"jared_de_leon";b:0;s:12:"wayne_stuart";b:0;s:9:"lowercase";b:0;s:15:"essential_sound";b:1;s:21:"vernacular_instrument";b:0;s:15:"trash_orchestra";b:0;s:12:"one_man_band";b:0;s:14:"stratification";b:0;s:17:"sound_synthesizer";b:0;s:15:"circuit_bending";b:0;s:17:"electromechanical";b:1;s:15:"electroacoustic";b:1;s:10:"transmuted";b:0;s:25:"roberto_velazquez_cabrera";b:1;s:15:"susan_rawcliffe";b:1;s:12:"hans_reichel";b:1;s:5:"uakti";b:0;s:14:"phantasmagoria";b:0;}s:10:"firstimage";s:0:"";}s:8:"internal";a:2:{s:5:"cache";b:1;s:3:"toc";b:1;}}s:10:"persistent";a:5:{s:4:"date";a:2:{s:7:"created";i:1552509051;s:8:"modified";i:1680159211;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1680159211;s:2:"ip";s:14:"47.148.222.138";s:4:"type";s:1:"E";s:2:"id";s:10:"principles";s:4:"user";s:4:"mete";s:3:"sum";s:19:"[In Need of Terms] ";s:5:"extra";s:0:"";s:10:"sizechange";i:11;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}}}