a:2:{s:7:"current";a:9:{s:4:"date";a:2:{s:7:"created";i:1663142976;s:8:"modified";i:1673613528;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1673613528;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:16:"carleen_hutchins";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:757;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}s:8:"relation";a:2:{s:10:"references";a:2:{s:16:"hutchins_consort";b:0;s:25:"catgut_acoustical_society";b:0;}s:10:"firstimage";s:0:"";}s:5:"title";s:21:"Experiments on Violas";s:11:"description";a:2:{s:15:"tableofcontents";a:18:{i:0;a:4:{s:3:"hid";s:21:"experiments_on_violas";s:5:"title";s:21:"Experiments on Violas";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:1;a:4:{s:3:"hid";s:12:"violin_octet";s:5:"title";s:12:"Violin Octet";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:2;a:4:{s:3:"hid";s:13:"treble_violin";s:5:"title";s:13:"Treble Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:3;a:4:{s:3:"hid";s:14:"soprano_violin";s:5:"title";s:14:"Soprano Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:4;a:4:{s:3:"hid";s:12:"mezzo_violin";s:5:"title";s:12:"Mezzo Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:5;a:4:{s:3:"hid";s:11:"alto_violin";s:5:"title";s:11:"Alto Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:6;a:4:{s:3:"hid";s:12:"tenor_violin";s:5:"title";s:12:"Tenor Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:7;a:4:{s:3:"hid";s:15:"baritone_violin";s:5:"title";s:15:"Baritone Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:8;a:4:{s:3:"hid";s:11:"bass_violin";s:5:"title";s:11:"Bass Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:9;a:4:{s:3:"hid";s:17:"contrabass_violin";s:5:"title";s:17:"Contrabass Violin";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:10;a:4:{s:3:"hid";s:7:"lineage";s:5:"title";s:7:"Lineage";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:11;a:4:{s:3:"hid";s:13:"octets_in_use";s:5:"title";s:13:"Octets in Use";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:12;a:4:{s:3:"hid";s:29:"second_generation_instruments";s:5:"title";s:29:"Second Generation Instruments";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:13;a:4:{s:3:"hid";s:31:"new_methods_for_acoustic_tuning";s:5:"title";s:31:"New Methods for Acoustic Tuning";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:14;a:4:{s:3:"hid";s:39:"acoustic_issues_represented_in_research";s:5:"title";s:39:"Acoustic issues represented in Research";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:15;a:4:{s:3:"hid";s:15:"academic_career";s:5:"title";s:15:"Academic Career";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:16;a:4:{s:3:"hid";s:25:"catgut_acoustical_society";s:5:"title";s:25:"Catgut Acoustical Society";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:17;a:4:{s:3:"hid";s:5:"notes";s:5:"title";s:5:"Notes";s:4:"type";s:2:"ul";s:5:"level";i:4;}}s:8:"abstract";s:503:"Dr. Carleen Maley Hutchins was an experimental violin maker, Creator and founder of the Hutchins Consort and cofounder of the Catgut Acoustical Society. 

Experiments on Violas

Hutchins developed a acoustically balanced viola which she would later call the alto violin. Due to the traditional over the shoulder playing method of the viola there are major acoustic flaws with the instruments as the string length is shorter then ideal and the internal volume of the instrument is also smaller then id…";}s:8:"internal";a:2:{s:5:"cache";b:1;s:3:"toc";b:1;}}s:10:"persistent";a:5:{s:4:"date";a:2:{s:7:"created";i:1663142976;s:8:"modified";i:1673613528;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1673613528;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:16:"carleen_hutchins";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:757;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}}}