a:2:{s:7:"current";a:9:{s:4:"date";a:2:{s:7:"created";i:1553494391;s:8:"modified";i:1597146091;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1597146091;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:15:"constance_demby";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:0;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}s:8:"relation";a:2:{s:10:"references";a:5:{s:15:"steel_resonator";b:0;s:13:"robert_rutman";b:1;s:10:"jan_heinke";b:0;s:10:"crustacean";b:0;s:8:"tom_nunn";b:0;}s:10:"firstimage";s:0:"";}s:5:"title";s:10:"Space Bass";s:11:"description";a:2:{s:15:"tableofcontents";a:4:{i:0;a:4:{s:3:"hid";s:10:"space_bass";s:5:"title";s:10:"Space Bass";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:1;a:4:{s:3:"hid";s:19:"similar_instruments";s:5:"title";s:19:"Similar Instruments";s:4:"type";s:2:"ul";s:5:"level";i:5;}i:2;a:4:{s:3:"hid";s:10:"whale_sail";s:5:"title";s:10:"Whale Sail";s:4:"type";s:2:"ul";s:5:"level";i:4;}i:3;a:4:{s:3:"hid";s:5:"notes";s:5:"title";s:5:"Notes";s:4:"type";s:2:"ul";s:5:"level";i:4;}}s:8:"abstract";s:427:"Constance Demby is an early maker of large Steel Resonator instruments. She collaborated with Robert Rutman in the 1960s building various experimental steel sound sculptures at Rutman's gallery “A Fly Can't Bird But A Bird Can Fly”. In 1967 Demby and Rutman held several happening-style events that mixed sonic, visual, and performance art centered around big sheets of metal that the artists had found. In one piece called";}s:8:"internal";a:2:{s:5:"cache";b:1;s:3:"toc";b:1;}}s:10:"persistent";a:5:{s:4:"date";a:2:{s:7:"created";i:1553494391;s:8:"modified";i:1597146091;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1597146091;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:15:"constance_demby";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:0;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}}}