a:2:{s:7:"current";a:9:{s:4:"date";a:2:{s:7:"created";i:1578386847;s:8:"modified";i:1578387233;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1578387233;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:13:"william_close";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:1;}s:8:"relation";a:2:{s:10:"references";a:4:{s:22:"long-string_instrument";b:0;s:8:"oddmusic";b:1;s:13:"ellen_fullman";b:0;s:22:"longitudinal_vibration";b:0;}s:10:"firstimage";s:0:"";}s:5:"title";s:11:"Controversy";s:11:"description";a:2:{s:15:"tableofcontents";a:1:{i:0;a:4:{s:3:"hid";s:11:"controversy";s:5:"title";s:11:"Controversy";s:4:"type";s:2:"ul";s:5:"level";i:4;}}s:8:"abstract";s:368:"William Close makes variations on the Long-String Instrument that he calls Earth Harps. These instruments engage architecture as well as naturalistic spaces where they are installed. He is famous for building the Symphonic House, a house where the architecture is an instrument and used as a resonating chamber for long-strings that are installed throughout the house.";}s:8:"internal";a:2:{s:5:"cache";b:1;s:3:"toc";b:1;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}}s:10:"persistent";a:5:{s:4:"date";a:2:{s:7:"created";i:1578386847;s:8:"modified";i:1578387233;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1578387233;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:13:"william_close";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:1;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}}}