a:2:{s:7:"current";a:8:{s:4:"date";a:2:{s:7:"created";i:1578903979;s:8:"modified";i:1581576716;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1581576716;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:13:"harry_bertoia";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:22;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}s:8:"internal";a:2:{s:5:"cache";b:1;s:3:"toc";b:1;}s:11:"description";a:1:{s:8:"abstract";s:503:"Harry Bertoia was a designer, artist, and sound sculptor who worked mainly in metal, using large bundles of metal rods and tines that play unison pitches. His sound sculptures produce unique ambient sounds. He released multiple albums called Sonambient on vinyl throughout the 1970s-1980s. His work is continued by his son Val Bertoia who continues to make new sound sculptures inspired by the philosophy of sound art started by his father. A collection of his instruments are held at his bard worksh…";}s:8:"relation";a:1:{s:10:"firstimage";s:0:"";}}s:10:"persistent";a:5:{s:4:"date";a:2:{s:7:"created";i:1578903979;s:8:"modified";i:1581576716;}s:7:"creator";s:12:"Wesley Hicks";s:4:"user";s:4:"mete";s:11:"last_change";a:8:{s:4:"date";i:1581576716;s:2:"ip";s:14:"104.174.211.50";s:4:"type";s:1:"E";s:2:"id";s:13:"harry_bertoia";s:4:"user";s:4:"mete";s:3:"sum";s:0:"";s:5:"extra";s:0:"";s:10:"sizechange";i:22;}s:11:"contributor";a:1:{s:4:"mete";s:12:"Wesley Hicks";}}}