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-The Xenharmonicon was a magazine that ran from 1974 to 1998 that had a focus on experimental and microtonal music. There is no known digital copies of the magazine but there is a archive of the articles that were originally published in it.
+The Xenharmonicon is a journal with a focus of experimental music and microtonal music. The magazine is published by [[Bill Alves]] and [[John H. Chalmers]] along with a curatorial board.
+====Current Journal 2018+====
+((https://www.xenharmonikon.org/category/articles/))
+====Historic Issues 1974-1998====
+The Xenharmonicon was a journal that ran from 1974 to 1998 that had a focus on experimental and microtonal music. The magazine was published by [[John H. Chalmers]] through the University of California San Diego. There is no known digital copies of the magazine but there is an archive of the articles that were originally published in it.
 ===Volume 1 (Spring 1974)===
-Editorial and Prospectus
+Editorial and Prospectus, John Chalmers
-    John Chalmers
-Four Items
+Four Items, Lou Harrison
-    Lou Harrison
-The Bosanquetian 7-Rank Keyboard After Poole and Brown
+The Bosanquetian 7-Rank Keyboard After Poole and Brown, Erv Wilson
-    Erv Wilson
-Xenharmonic Bulletin No. 1
+Xenharmonic Bulletin No. 1, Ivor Darreg
-    Ivor Darreg
-Xenharmonic Bulletin No. 2
+Xenharmonic Bulletin No. 2,
-    Ivor Darreg
+Ivor Darreg
-Harmonic Series - Normal Overtones (chart)
+Harmonic Series - Normal Overtones (chart),
-    Ivor Darreg
+Ivor Darreg
-Harmonic Series Compared with Quartertone and 12-tone Tempered Scales (chart)
+Harmonic Series Compared with Quartertone and 12-tone Tempered Scales (chart),
-    Ivor Darreg
+Ivor Darreg
-List of Intervals Relevant to the Theory of Tuning (chart)
+List of Intervals Relevant to the Theory of Tuning (chart),
-    Ivor Darreg
+Ivor Darreg
-Selections from Compositions by Ivor Darreg (score)
+Selections from Compositions by Ivor Darreg (score),
-    Ivor Darreg
+Ivor Darreg
-Computer Generated Tuning Tables (chart)
+Computer Generated Tuning Tables (chart),
-    John Chalmers
+John Chalmers
 ===Volume 2 (Fall 1974)===
-Notes & Comments
+Notes & Comments,
-    John Chalmers
+John Chalmers
-The Evolutionary Music System
+The Evolutionary Music System,
-    Thomas Stone
+Thomas Stone
-Bosanquet - A Bridge - A Doorway to Dialog
+Bosanquet - A Bridge - A Doorway to Dialog,
-    Erv Wilson
+Erv Wilson
-A Classification of Tonal Systems, and a Proposed Standardization of Signatures
+A Classification of Tonal Systems, and a Proposed Standardization of Signatures,
-    Erv Wilson
+Erv Wilson
-At the Tomb of Charles Ives (score)
+At the Tomb of Charles Ives (score),
-    Lou Harrison
+Lou Harrison
-Xenharmonic Bulletin No. 3
+Xenharmonic Bulletin No. 3,
-    Ivor Darreg
+Ivor Darreg
-Guitar Fretting Table 19-tone (chart)
+Guitar Fretting Table 19-tone (chart),
-    Ivor Darreg
+Ivor Darreg
-Some New Linear Temperaments
+Some New Linear Temperaments,
-    John Chalmers
+John Chalmers
 ===Volume 3 (Spring 1975)===
-Notes & Comments
+Notes & Comments,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-Xenharmonic Bulletin No. 4
+Xenharmonic Bulletin No. 4,
-    Ivor Darreg
+Ivor Darreg
-On the Enharmonic Tetrachord (score)
+On the Enharmonic Tetrachord (score),
-    Ivor Darreg
+Ivor Darreg
-Prelude for Guitar, in E Minor (score)
+Prelude for Guitar, in E Minor (score),
-    Ivor Darreg
+Ivor Darreg
-An American Gamelan
+An American Gamelan,
-    William Colvig
+William Colvig
-On This Thing Called Scalatron
+On This Thing Called Scalatron,
-    Richard J. Harasek
+Richard J. Harasek
-Scalatron Brochure (advertisement)
+Scalatron Brochure (advertisement),
-    Richard J. Harasek
+Richard J. Harasek
-Well Tempered Notes
+Well Tempered Notes,
-    Richard J. Harasek
+Richard J. Harasek
-The Generalized Keyboard Scalatron
+The Generalized Keyboard Scalatron,
-    George Secor
+George Secor
-Unified Visualization and Notation of Xenharmonic Systems
+Unified Visualization and Notation of Xenharmonic Systems,
-    George Secor
+George Secor
-A New Look at the Partch Monophonic Fabric
+A New Look at the Partch Monophonic Fabric,
-    George Secor
+George Secor
-A Phrase for Arion's Leap (score)
+A Phrase for Arion's Leap (score),
-    Lou Harrison
+Lou Harrison
-Preface to "Two Phrases in Free Style"
+Preface to "Two Phrases in Free Style",
-    Kerry G. Lewis
+Kerry G. Lewis
-Phrase in Free Style #1 (score)
+Phrase in Free Style #1 (score),
-    Kerry G. Lewis
+Kerry G. Lewis
-Phrase in Free Style #2 (score)
+Phrase in Free Style #2 (score),
-    Kerry G. Lewis
+Kerry G. Lewis
-The Application of Rothenberg's Pattern Recognition Model to the Structure of Tetrachords and Tetrachordal Scales
+The Application of Rothenberg's Pattern Recognition Model to the Structure of Tetrachords and Tetrachordal Scales,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-On Linear Notations and the Bosanquet Keyboard
+On Linear Notations and the Bosanquet Keyboard,
-    Erv Wilson
+Erv Wilson
-On the Development of Intonational Systems by Extended Linear Mapping
+On the Development of Intonational Systems by Extended Linear Mapping,
-    Erv Wilson
+Erv Wilson
 ===Volume 4 (Fall 1975)===
-Notes and Comments
+Notes and Comments,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament: Chapter 11 - Joseph Yasser
+Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament: Chapter 11 - Joseph Yasser,
-    M. Joel Mandelbaum
+M. Joel Mandelbaum
-Xenharmonic Bulletin No. 5
+Xenharmonic Bulletin No. 5,
-    Ivor Darreg
+Ivor Darreg
-Ivor Darreg's Musical Compositions Conceived for the Medium of Tape Recording (chart)
+Ivor Darreg's Musical Compositions Conceived for the Medium of Tape Recording (chart),
-    Ivor Darreg
+Ivor Darreg
-Xenharmonic Bulletin No. 6
+Xenharmonic Bulletin No. 6,
-    Ivor Darreg
+Ivor Darreg
-Episodes in the 17-Tone System (score)
+Episodes in the 17-Tone System (score),
-    Ivor Darreg
+Ivor Darreg
-Well Tempered Notes
+Well Tempered Notes,
-    Richard Harasek
+Richard Harasek
-Specifications of the Secor Generalized Keyboard Scalatron
+Specifications of the Secor Generalized Keyboard Scalatron,
-    George Secor
+George Secor
-Braid Piece (score)
+Braid Piece (score),
-    Barbara Benary
+Barbara Benary
-Tonal Incarnations
+Tonal Incarnations,
-    Barbara Benary
+Barbara Benary
-Item: Five-tone, Six-tone, & Seven-tone Modal Forms within the Traditional Matrix of Two Tetrachords Separated by a Nine to Eight
+Item: Five-tone, Six-tone, & Seven-tone Modal Forms within the Traditional Matrix of Two Tetrachords Separated by a Nine to Eight,
-    Lou Harrison
+Lou Harrison
-Cyclic Scales
+Cyclic Scales,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-The 12+7+12=31 Geometry Applied to 3 Percussion Keyboards
+The 12+7+12=31 Geometry Applied to 3 Percussion Keyboards,
-    Erv Wilson
+Erv Wilson
--tone Clavichord (advertisement)
+-tone Clavichord (advertisement),
-    Erv Wilson
+Erv Wilson
 ===Volume 5 (Spring 1976)===
-Notes & Comments
+Notes & Comments,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-The Golden Net (score)
+The Golden Net (score),
-    Douglas Walker
+Douglas Walker
-Xenharmonic Bulletin No. 7
+Xenharmonic Bulletin No. 7,
-    Ivor Darreg
+Ivor Darreg
-Colorless Green Ideas Sleep Furiously (score)
+Colorless Green Ideas Sleep Furiously (score),
-    Ivor Darreg
+Ivor Darreg
-A Symposium in the Study of Tricesimoprimal Music (advertisement)
+A Symposium in the Study of Tricesimoprimal Music (advertisement),
-    Robert Chamberlin
+Robert Chamberlin
-The Pitches of Meantone Assigned to the 19-tone Generalized Keyboard (chart)
+The Pitches of Meantone Assigned to the 19-tone Generalized Keyboard (chart),
-    Erv Wilson
+Erv Wilson
-Some Details Concerning The 19-Tone Clavichord
+Some Details Concerning The 19-Tone Clavichord,
-    Jay Scott Hackleman
+Jay Scott Hackleman
-Notes and Comments
+Notes and Comments,
-    George Secor
+George Secor
-The Trouble with Equal Temperaments
+The Trouble with Equal Temperaments,
-    George Secor
+George Secor
-An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn
+An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn,
-    George Secor
+George Secor
-Incidental Music for Corneille's "Cinna" (score)
+Incidental Music for Corneille's "Cinna" (score),
-    Lou Harrison
+Lou Harrison
 ===Volume 6 (Summer 1977)===
-Notes and Comments, Six
+Notes and Comments, Six,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-Manual of Quartertone Harmony (Translated from the French by Ivor Darreg)
+Manual of Quartertone Harmony (Translated from the French by Ivor Darreg),
-    Ivan Vyshnegradski
+Ivan Vyshnegradski
-Piano Study #5 (for JPR) (score)
+Piano Study #5 (for JPR) (score),
-    Larry Polansky
+Larry Polansky
-Movement for Lou Harrison, for Two Violins (score)
+Movement for Lou Harrison, for Two Violins (score),
-    Larry Polansky
+Larry Polansky
-Eight Pieces for Harp in Ditone Diatonic (score)
+Eight Pieces for Harp in Ditone Diatonic (score),
-    Larry London
+Larry London
-Xenharmonic Bulletin No. 8
+Xenharmonic Bulletin No. 8,
-    Ivor Darreg
+Ivor Darreg
-Three Short Preludes (score)
+Three Short Preludes (score),
-    Douglas Walker
+Douglas Walker
-"The Dayspring," music for 19-tone clavichord (score)
+"The Dayspring," music for 19-tone clavichord (score),
-    Douglas Walker
+Douglas Walker
--Tone Scale for the Clavichord-19 (chart)
+-Tone Scale for the Clavichord-19 (chart),
-    Erv Wilson
+Erv Wilson
-Tone Meantone Tuning - Link Between Past and Future
+Tone Meantone Tuning - Link Between Past and Future,
-    Herman Pedtke
+Herman Pedtke
-Guitar with Interchangeable Fingerboards
+Guitar with Interchangeable Fingerboards,
-    A. Peter Westbrook
+A. Peter Westbrook
 ===Volume 7+8 (Spring 1979)===
-Notes and Comments: Seven and Eight
+Notes and Comments: Seven and Eight,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-Introduction to Everything
+Introduction to Everything,
-    Cris Forster
+Cris Forster
-Chrysalis
+Chrysalis,
-    Cris Forster
+Cris Forster
-Harmonic/Melodic Canon IV
+Harmonic/Melodic Canon IV,
-    Cris Forster
+Cris Forster
-Diamond Marimba II
+Diamond Marimba II,
-    Cris Forster
+Cris Forster
-Ascent of the Phoenix (score)
+Ascent of the Phoenix (score),
-    C. Forster
+C. Forster
-"... out of fathomless Dark/into limitless Light ..." (score)
+"... out of fathomless Dark/into limitless Light ..." (score),
-    Douglas Walker
+Douglas Walker
-Xenharmonic Bulletin No. 9
+Xenharmonic Bulletin No. 9,
-    Ivor Darreg
+Ivor Darreg
-Anthracite Sweetheart (score)
+Anthracite Sweetheart (score),
-    Brian Hartzler
+Brian Hartzler
-A Short History of Thirty-One Tones to the Octave
+A Short History of Thirty-One Tones to the Octave,
-    Martin Sweidel
+Martin Sweidel
-Fantasia in 19-Tone Equal Temperament (score)
+Fantasia in 19-Tone Equal Temperament (score),
-    Martin Sweidel
+Martin Sweidel
-Fabio Colonna's Sambuca
+Fabio Colonna's Sambuca,
-    Lynn Wood Martin
+Lynn Wood Martin
-Decimal Music
+Decimal Music,
-    Gary Morrison
+Gary Morrison
-Decadence (score)
+Decadence (score),
-    Gary Morrison
+Gary Morrison
-Item: Thoughts while Designing a Gamelan
+Item: Thoughts while Designing a Gamelan,
-    Lou Harrison
+Lou Harrison
-A Chart of All Superparticular Ratios from 2/1 through 81/80 with Value (or Size) in Cents (chart)
+A Chart of All Superparticular Ratios from 2/1 through 81/80 with Value (or Size) in Cents (chart),
-    William Colvig
+William Colvig
-Four Duets for Psaltery and Harp (score)
+Four Duets for Psaltery and Harp (score),
-    David Rosenthal
+David Rosenthal
-Helix Song (score)
+Helix Song (score),
-    David Rosenthal
+David Rosenthal
-Four Pieces in Didymus's Chromatic (score)
+Four Pieces in Didymus's Chromatic (score),
-    Larry London
+Larry London
-Movement for Andréa Smith (My Funny Valentine for Just String Quartet) (score)
+Movement for Andréa Smith (My Funny Valentine for Just String Quartet) (score),
-    Larry Polansky
+Larry Polansky
-Binary Flute
+Binary Flute,
-    Denny Genovese
+Denny Genovese
-Web of Fifths and Thirds (chart)
+Web of Fifths and Thirds (chart),
-    Scott Makeig
+Scott Makeig
-Polychordal Arrays of MOS Scales
+Polychordal Arrays of MOS Scales,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-A Collection of Scales With Nineteen Tones
+A Collection of Scales With Nineteen Tones,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-Some Additional Nineteen-tone Scales
+Some Additional Nineteen-tone Scales,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
 ===Volume 9 (1986)===
-Notes and Comments
+Notes and Comments,
-    Daniel J. Wolf
+Daniel J. Wolf
-Tritriadic Scales with Seven Tones
+Tritriadic Scales with Seven Tones,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-A Kind Word or Two About Alexander John Ellis on the Occasion of the Centennial 1885-1985 of the Second English Edition of His Translation of and Appendix to Helmholtz's Sensations of Tone
+A Kind Word or Two About Alexander John Ellis on the Occasion of the Centennial 1885-1985 of the Second English Edition of His Translation of and Appendix to Helmholtz's Sensations of Tone,
-    Ivor Darreg
+Ivor Darreg
-Without Frets (I): General Considerations
+Without Frets (I): General Considerations,
-    David Feldman
+David Feldman
-Going Places (score)
+Going Places (score),
-    David Feldman
+David Feldman
-Combination-Product Set Patterns
+Combination-Product Set Patterns,
-    Kraig Grady
+Kraig Grady
-String Quartet (1965-1975), I.S.I.M (score)
+String Quartet (1965-1975), I.S.I.M (score),
-    Douglas Leedy
+Douglas Leedy
-Will You Miss Me (score)
+Will You Miss Me (score),
-    Larry Polansky
+Larry Polansky
-The Marwa Permutations
+The Marwa Permutations,
-    Ervin M. Wilson
+Ervin M. Wilson
-The Melodic Version (1984) of The Second Dream of the High-Tension Line Stepdown Transformer from The Four Dreams of China (1962): Notes by the Composer
+The Melodic Version (1984) of The Second Dream of the High-Tension Line Stepdown Transformer from The Four Dreams of China (1962): Notes by the Composer,
-    La Monte Young
+La Monte Young
 ===Volume 10 (1987)===
-Notes and Comments
+Notes and Comments,
-    D. J. Wolf
+D. J. Wolf
-Monochordal Interpretations of Propositions in Euclid's Elements
+Monochordal Interpretations of Propositions in Euclid's Elements,
-    Jon Barlow
+Jon Barlow
-Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties
+Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.
-Table of Errors in Equally-Tempered Intervals (chart)
+Table of Errors in Equally-Tempered Intervals (chart),
-    Ivor Darreg
+Ivor Darreg
-Four Bass Studies (what to do when the night comes...) (score)
+Four Bass Studies (what to do when the night comes...) (score),
-    Larry Polansky
+Larry Polansky
-The Purvi Modulations
+The Purvi Modulations,
-    Ervin M. Wilson
+Ervin M. Wilson
-Trio: The Sands (music that doesn't bother) (score)
+Trio: The Sands (music that doesn't bother) (score),
-    Daniel Wolf
+Daniel Wolf
 ===Volume 11 (1989)===
-Notes and Comments
+Notes and Comments,
-    Daniel J. Wolf
+Daniel J. Wolf,
-    p. ii
+p. ii
-Tetrachordal Scales and Complexes
+Tetrachordal Scales and Complexes,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.,
-    pp. 1-20
+pp. 1-20
-A Question of Microtonal Notation
+A Question of Microtonal Notation,
-    Ezra Sims
+Ezra Sims,
-    pp. 21-24
+pp. 21-24
-Speculum Pélogi
+Speculum Pélogi,
-    D. J. Wolf
+D. J. Wolf,
-    pp. 25-33
+pp. 25-33
-Mr. Cage, His Ghosts, and Cheap Imitation(s)
+Mr. Cage, His Ghosts, and Cheap Imitation(s),
-    Daniel J. Wolf
+Daniel J. Wolf,
-    pp. 34-42
+pp. 34-42
-A Linear Twenty-Nine Tone Scale
+A Linear Twenty-Nine Tone Scale,
-    Jose L. Garcia
+Jose L. Garcia,
-    pp. 43-45
+pp. 43-45
-Notes on a New Marimba, its Tuning, and its Music
+Notes on a New Marimba, its Tuning, and its Music,
-    Erv Wilson, Stephen Smith, and Kraig Grady
+Erv Wilson, Stephen Smith, and Kraig Grady,
-    pp. 46-60
+pp. 46-60
-Review of The Science of Musical Sound, by John R. Pierce; and Lutes, Viols and Temperaments, by Mark Lindley
+Review of The Science of Musical Sound, by John R. Pierce; and Lutes, Viols and Temperaments, by Mark Lindley,
-    Douglas Leedy
+Douglas Leedy,
-    pp. 61-67
+pp. 61-67
-Movement for Lou Harrison, for just bass quartet (score)
+Movement for Lou Harrison, for just bass quartet (score),
-    Larry Polansky
+Larry Polansky,
-    pp. 68-89
+pp. 68-89
-Xenharmonikon I through Xenharmonikon X, an Index (chart)
+Xenharmonikon I through Xenharmonikon X, an Index (chart),
-    Daniel J. Wolf
+Daniel J. Wolf,
-    pp. 90-93
+pp. 90-93
 ===Volume 12 (Spring 1989)===
-Notes and Comments
+Notes and Comments,
-    Daniel J. Wolf
+Daniel J. Wolf,
-    p. ii
+p. ii
-D'alessandro, Like a Hurricane
+D'alessandro, Like a Hurricane,
-    Erv Wilson
+Erv Wilson,
-    pp. 1-39
+pp. 1-39
-Tritriadic Scales with Seven Tones. Part Three: The M->T and D->M Matrices
+Tritriadic Scales with Seven Tones. Part Three: The M->T and D->M Matrices,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.,
-    pp. 40-68
+pp. 40-68
-Development of a 53-tone Keyboard Layout
+Development of a 53-tone Keyboard Layout,
-    Larry A. Hanson
+Larry A. Hanson,
-    pp. 69-87
+pp. 69-87
-Supplement: Makers of Instruments, et cetera, Part 1 (advertisement)
+Supplement: Makers of Instruments, et cetera, Part 1 (advertisement),
-    Daniel J. Wolf
+Daniel J. Wolf,
-    pp. 88-89
+pp. 88-89
 ===Volume 13 (Spring 1991)===
-Notes and Comments
+Notes and Comments,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.,
-    pp. 1-3
+pp. 1-3
+Information and Guidelines for Subscribers and Contributors to Xenharmonikôn,
+John H. Chalmers, Jr.,
+pp. 3-4
+Biases in Xenharmonic Scales,
+I. Darreg and B. McLaren,
+pp. 5-19
-Information and Guidelines for Subscribers and Contributors to Xenharmonikôn
+General Methods for Generating Musical Scales,
-    John H. Chalmers, Jr.
+B. McLaren,
-    pp. 3-4
+pp. 20-44
-Biases in Xenharmonic Scales
+Notes Towards Quasi-Tonal Treiskaidekaphilia,
-    I. Darreg and B. McLaren
+Paul Rapoport,
-    pp. 5-19
+pp. 45-52
-General Methods for Generating Musical Scales
+Three Approaches to Harmony in 13-TET,
-    B. McLaren
+John H. Chalmers, Jr.,
-    pp. 20-44
+pp. 53-64
-Notes Towards Quasi-Tonal Treiskaidekaphilia
+Interactive Program - Just Modulations (computer program),
-    Paul Rapoport
+Buzz Kimball,
-    pp. 45-52
+pp. 65-66
-Three Approaches to Harmony in 13-TET
+Season of Dust (score),
-    John H. Chalmers, Jr.
+Buzz Kimball,
-    pp. 53-64
+pp. 67-69
-Interactive Program - Just Modulations (computer program)
+T1: california duet for trombone and trombonist (score),
-    Buzz Kimball
+R. Marsanyi,
-    pp. 65-66
+pp. 70-76
-Season of Dust (score)
+Composing in Seven Equal,
-    Buzz Kimball
+Clem Fortuna,
-    pp. 67-69
+pp. 77-79
-T1: california duet for trombone and trombonist (score)
+String Quartet in Seven-Equal (score),
-    R. Marsanyi
+C. Fortuna,
-    pp. 70-76
+pp. 80-85
-Composing in Seven Equal
+The Discovery of a 14-tone Scale,
-    Clem Fortuna
+Kraig Grady,
-    pp. 77-79
+pp. 86-89
-String Quartet in Seven-Equal (score)
+A Graphical Technique for Finding Equally-Tempered Scales by Their Harmonic Resources,
-    C. Fortuna
+Gary Morrison,
-    pp. 80-85
+pp. 90-94
-The Discovery of a 14-tone Scale
+Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch,
-    Kraig Grady
+Douglas Leedy,
-    pp. 86-89
+pp. 95-99
-A Graphical Technique for Finding Equally-Tempered Scales by Their Harmonic Resources
+Review of Pitch for the International Microtonalist, Vol. 1, No. 4, edited by Johnny Reinhard,
-    Gary Morrison
+John H. Chalmers, Jr.,
-    pp. 90-94
+pp. 100-101
-Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch
+Review of Pitch, Pi, and Other Musical Paradoxes, by Charles E. H. Lucy,
-    Douglas Leedy
+John H. Chalmers, Jr.,
-    pp. 95-99
+pp. 102-103
-Review of Pitch for the International Microtonalist, Vol. 1, No. 4, edited by Johnny Reinhard
+Resources,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.,
-    pp. 100-101
+pp. 104-105
-Review of Pitch, Pi, and Other Musical Paradoxes, by Charles E. H. Lucy
+===Volume 14 (Spring 1993)===
-    John H. Chalmers, Jr.
-    pp. 102-103
-Resources
+Notes & Comments,
-    John H. Chalmers, Jr.
+John H. Chalmers, Jr.,
-    pp. 104-105
+pp. 1-2
-Volume 14 (Spring 1993)
+Those Difficult Teens (and Other Microtonal Scales),
+B. McLaren,
+pp. 3-6
-Notes & Comments
+A Nostalgic Look at the 20s (& Other Microtonal Scales),
-    John H. Chalmers, Jr.
+B. McLaren,
-    pp. 1-2
+pp. 6-8
-Those Difficult Teens (and Other Microtonal Scales)
+The Low Profile of Those Higher Divisions of the Octave,
-    B. McLaren
+B. McLaren,
-    pp. 3-6
+pp. 8-11
-A Nostalgic Look at the 20s (& Other Microtonal Scales)
+The Uses and Characteristics of Non-octave Scales,
-    B. McLaren
+B. McLaren,
-    pp. 6-8
+pp. 12-22
-The Low Profile of Those Higher Divisions of the Octave
+An Interview With Ivor Darreg About "The Xenharmonic Frontier",
-    B. McLaren
+B. McLaren,
-    pp. 8-11
+pp. 23-39
-The Uses and Characteristics of Non-octave Scales
+An Analysis of Ivor Darreg's XF1, Volume 1, Number 12,
-    B. McLaren
+B. McLaren,
-    pp. 12-22
+pp. 40-49
-An Interview With Ivor Darreg About "The Xenharmonic Frontier"
+Xenharmonic Frontier Vol. 1, No. 9: 21/oct (score),
-    B. McLaren
+Ivor Darreg,
-    pp. 23-39
+pp. 50-52
-An Analysis of Ivor Darreg's XF1, Volume 1, Number 12
+Xenharmonic Bulletin No. 12,
-    B. McLaren
+Ivor Darreg,
-    pp. 40-49
+pp. 53-79
-Xenharmonic Frontier Vol. 1, No. 9: 21/oct (score)
+Horn (score),
-    Ivor Darreg
+Larry Polansky,
-    pp. 50-52
+pp. 80-90
-Xenharmonic Bulletin No. 12
+Epimores (score),
-    Ivor Darreg
+Carter Scholz,
-    pp. 53-79
+pp. 91-92
-Horn (score)
+An Imaginary Nocturne (score),
-    Larry Polansky
+Douglas Walker,
-    pp. 80-90
+pp. 93-108
-Epimores (score)
+limit19.c, a limit 19 calculator for just intonation music composition (computer program),
-    Carter Scholz
+Matthew Walker,
-    pp. 91-92
+pp. 109-113
-An Imaginary Nocturne (score)
+===Volume 15 (Autumn 1993)===
-    Douglas Walker
-    pp. 93-108
-limit19.c, a limit 19 calculator for just intonation music composition (computer program)
+Notes & Comments 15,
-    Matthew Walker
+John H. Chalmers, Jr.,
-    pp. 109-113
+pp. 1-2
-Volume 15 (Autumn 1993)
+The Tonality of the Golden Section,
+Walter O'Connell,
+pp. 3-18
-Notes & Comments 15
+The Year of the Monkey,
-    John H. Chalmers, Jr.
+Brink McGoogy,
-    pp. 1-2
+pp. 19-26
-The Tonality of the Golden Section
+The Uses and Characteristics of Non-just Non-equal-tempered Scales,
-    Walter O'Connell
+B. McLaren,
-    pp. 3-18
+pp. 27-41
-The Year of the Monkey
+Circles of Fifths,
-    Brink McGoogy
+B. McLaren,
-    pp. 19-26
+pp. 42-51
-The Uses and Characteristics of Non-just Non-equal-tempered Scales
+/Oct Piano Piece (score),
-    B. McLaren
+B. McLaren,
-    pp. 27-41
+pp. 52-55
-Circles of Fifths
+Giving Number a Voice,
-    B. McLaren
+Douglas Leedy,
-    pp. 42-51
+pp. 56-59
-/Oct Piano Piece (score)
+The Triadic Diamond, the Triadic Reversed Diamond and Their Constituent Tetrachords when D = 3/2,
-    B. McLaren
+John H. Chalmers,
-    pp. 52-55
+pp. 60-73
-Giving Number a Voice
+The Touch-Tone® Signal Pitches as Subsets of Stretched 14-Tone ET's,
-    Douglas Leedy
+John H. Chalmers,
-    pp. 56-59
+pp. 74-80
-The Triadic Diamond, the Triadic Reversed Diamond and Their Constituent Tetrachords when D = 3/2
+Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude,
-    John H. Chalmers
+John H. Chalmers,
-    pp. 60-73
+pp. 81-95
-The Touch-Tone® Signal Pitches as Subsets of Stretched 14-Tone ET's
+Review of The Just Intonation Primer, by David B. Doty,
-    John H. Chalmers
+John H. Chalmers, Jr.,
-    pp. 74-80
+pp. 96-97
-Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude
+A Numerical Theory of Scale Invention,
-    John H. Chalmers
+Bruce R. Gilson,
-    pp. 81-95
+pp. 98-134
-Review of The Just Intonation Primer, by David B. Doty
+===Volume 16 (Autumn 1995)===
-    John H. Chalmers, Jr.
-    pp. 96-97
-A Numerical Theory of Scale Invention
+Notes & Comments 16,
-    Bruce R. Gilson
+John H. Chalmers,
-    pp. 98-134
+pp. 1-3
-Volume 16 (Autumn 1995)
+In Memoriam Ivor Darreg,
+John H. Chalmers,
+pp. 4-18
-Notes & Comments 16
+Ivor Darreg: An Interview About His Life and Work,
-    John H. Chalmers
+B. McLaren,
-    pp. 1-3
+pp. 19-35
-In Memoriam Ivor Darreg
+Macrotonal Scales,
-    John H. Chalmers
+B. McLaren,
-    pp. 4-18
+pp. 36-44
-Ivor Darreg: An Interview About His Life and Work
+More About Non-Octave Scales,
-    B. McLaren
+B. McLaren,
-    pp. 19-35
+pp. 45-53
-Macrotonal Scales
+An Interview with Ralph David Hill,
-    B. McLaren
+B. McLaren,
-    pp. 36-44
+pp. 54-60
-More About Non-Octave Scales
+The Notation of Equal Temperaments,
-    B. McLaren
+Paul Rapoport,
-    pp. 45-53
+pp. 61-84
-An Interview with Ralph David Hill
+-Tone Notation System Based on Adjusted 17-Tone,
-    B. McLaren
+Gary Morrison,
-    pp. 54-60
+pp. 86-91
-The Notation of Equal Temperaments
+On the Nature of Working with Performers,
-    Paul Rapoport
+Kraig Grady,
-    pp. 61-84
+p. 92
--Tone Notation System Based on Adjusted 17-Tone
+Centaur - A 7-Limit 12 Tone Tuning (chart),
-    Gary Morrison
+K. Grady,
-    pp. 86-91
+p. 93
-On the Nature of Working with Performers
+A Rhythmic Application of the Horagrams,
-    Kraig Grady
+Kraig Grady,
-    p. 92
+pp. 94-98
-Centaur - A 7-Limit 12 Tone Tuning (chart)
+Drones 1994 #2: Old Commas Inverted and Revisited (score),
-    K. Grady
+Warren Burt,
-    p. 93
+pp. 99-102
-A Rhythmic Application of the Horagrams
+"COMMAS" Dec. 92-Jan. 93 for Electronic Keyboard (score),
-    Kraig Grady
+Warren Burt,
-    pp. 94-98
+p. 103
-Drones 1994 #2: Old Commas Inverted and Revisited (score)
+A Brief History of the Lambdoma and the Musical Properties of the Computer Program for the "Lambdoma Harmonic Keyboard"TM,
-    Warren Burt
+Barbara Hero,
-    pp. 99-102
+pp. 104-113
-"COMMAS" Dec. 92-Jan. 93 for Electronic Keyboard (score)
+Notes on Mysteries,
-    Warren Burt
+Neil Haverstick,
-    p. 103
+pp. 114-115
-A Brief History of the Lambdoma and the Musical Properties of the Computer Program for the "Lambdoma Harmonic Keyboard"TM
+Mysteries (score),
-    Barbara Hero
+Neil Haverstick,
-    pp. 104-113
+pp. 116-117
-Notes on Mysteries
+Studien im Gebiet der reinen Stimmung (A Translation of Pages 8 to 18 by Daniel J. Wolf),
-    Neil Haverstick
+Shohé Tanaka,
-    pp. 114-115
+pp. 118-125
-Mysteries (score)
+Review of Principios de la Gama Dinámica, by Eduardo Sábat Garibaldi,
-    Neil Haverstick
+John Chalmers,
-    pp. 116-117
+pp. 126-127
-Studien im Gebiet der reinen Stimmung (A Translation of Pages 8 to 18 by Daniel J. Wolf)
+===Volume 17 (Spring 1998)===
-    Shohé Tanaka
-    pp. 118-125
-Review of Principios de la Gama Dinámica, by Eduardo Sábat Garibaldi
+Notes & Comments 17,
-    John Chalmers
+John H. Chalmers,
-    pp. 126-127
+pp. 1-3
-Volume 17 (Spring 1998)
+Notes on Lattice: one approach to dynamic tuning,
+Carter Scholz,
+pp. 4-8
-Notes & Comments 17
+-ET Notation System Based on Major and Minor Thirds,
-    John H. Chalmers
+Larry A. Hanson,
-    pp. 1-3
+pp. 9-11
-Notes on Lattice: one approach to dynamic tuning
+Tuning, Tonality and Twenty-Two-Tone Temperament,
-    Carter Scholz
+Paul Erlich,
-    pp. 4-8
+pp. 12-40
--ET Notation System Based on Major and Minor Thirds
+The Musical Animal's Musical Adventures,
-    Larry A. Hanson
+Heinz Bohlen,
-    pp. 9-11
+pp. 41-56
-Tuning, Tonality and Twenty-Two-Tone Temperament
+A Brief History of Microtonality in the Twentieth Century,
-    Paul Erlich
+B. McLaren,
-    pp. 12-40
+pp. 57-110
-The Musical Animal's Musical Adventures
+The Number of 23-Prime-Limit Superparticular Ratios Less than 10,000,000,
-    Heinz Bohlen
+John H. Chalmers,
-    pp. 41-56
+pp. 111-115
-A Brief History of Microtonality in the Twentieth Century
+Pitch, Scale and Tuning in Rusty: A Fuzzy Logic Approach to the Tuning Problem,
-    B. McLaren
+Michael Saunders and Michael Greenhough,
-    pp. 57-110
+pp. 116-119
-The Number of 23-Prime-Limit Superparticular Ratios Less than 10,000,000
+Review of On the Relations of Tone, by Martin Vogel,
-    John H. Chalmers
+Douglas Leedy,
-    pp. 111-115
+pp. 120-123
-Pitch, Scale and Tuning in Rusty: A Fuzzy Logic Approach to the Tuning Problem
+Letter to the Editor,
-    Michael Saunders and Michael Greenhough
+Heinz Bohlen,
-    pp. 116-119
+p. 124
-Review of On the Relations of Tone, by Martin Vogel
+====NOTES====
-    Douglas Leedy
+There is a new journal started in 2018 also running under the name Xenharmonikon ((https://www.xenharmonikon.org/about/))\\
-    pp. 120-123
+Link to with Web Archive (snapshot from December 17th 2001) of the Xenharmonicon website ((https://web.archive.org/web/20011217135938/http://www.tiac.net/users/xen/xh/tables-of-contents.html))
+The historic issues are available to purchase as physical copies (still no digital copies to be found) ((http://frogpeak.org/fpartists/fpchalmers.html)) \\
-Letter to the Editor
-    Heinz Bohlen
-    p. 124