Differences
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| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| classification_table [2022/11/30 09:54] – [4 Proper Reed] mete | classification_table [2024/01/24 01:41] (current) – [NOTES] mete | ||
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| Any material that is mounted on both ends while the material is also forced under tension between those two ends. Notable in that the two ends of the object are unable to freely vibrate while the center can. | Any material that is mounted on both ends while the material is also forced under tension between those two ends. Notable in that the two ends of the object are unable to freely vibrate while the center can. | ||
| - | ===2.1 Non Elastic | + | ===2.1 Non Elastic |
| Much like the metal string used for most orchestral string instruments. Though nylon and cat gut strings are somewhat elastic they should not be considered elastic as they are tuned to set pitches in such a manner elasticity is minimized and not a feature of the way they generate sound. | Much like the metal string used for most orchestral string instruments. Though nylon and cat gut strings are somewhat elastic they should not be considered elastic as they are tuned to set pitches in such a manner elasticity is minimized and not a feature of the way they generate sound. | ||
| - | ==2.1.1 Circular | + | ==2.1.1 Circular |
| Again the most common form of strings includes any string where transverse and lateral vibration are the same. | Again the most common form of strings includes any string where transverse and lateral vibration are the same. | ||
| - | ==2.1.2 Ribbon | + | ==2.1.2 Ribbon |
| Like those used on the Morin Khuur, all string that have a distinct width to height difference. These are any strings where transverse and lateral vibration are different. | Like those used on the Morin Khuur, all string that have a distinct width to height difference. These are any strings where transverse and lateral vibration are different. | ||
| ==2.1.3 Nonlinear strings== | ==2.1.3 Nonlinear strings== | ||
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| Do these actions count as modifiers or parts of the primary sound generating process? | Do these actions count as modifiers or parts of the primary sound generating process? | ||
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| + | {{tag> | ||
