Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| classification_table [2022/11/30 04:22] – [3 Turbulence] mete | classification_table [2024/01/23 20:41] (current) – [NOTES] mete | ||
|---|---|---|---|
| Line 183: | Line 183: | ||
| Any material that is mounted on both ends while the material is also forced under tension between those two ends. Notable in that the two ends of the object are unable to freely vibrate while the center can. | Any material that is mounted on both ends while the material is also forced under tension between those two ends. Notable in that the two ends of the object are unable to freely vibrate while the center can. | ||
| - | ===2.1 Non Elastic | + | ===2.1 Non Elastic |
| Much like the metal string used for most orchestral string instruments. Though nylon and cat gut strings are somewhat elastic they should not be considered elastic as they are tuned to set pitches in such a manner elasticity is minimized and not a feature of the way they generate sound. | Much like the metal string used for most orchestral string instruments. Though nylon and cat gut strings are somewhat elastic they should not be considered elastic as they are tuned to set pitches in such a manner elasticity is minimized and not a feature of the way they generate sound. | ||
| - | ==2.1.1 Circular | + | ==2.1.1 Circular |
| Again the most common form of strings includes any string where transverse and lateral vibration are the same. | Again the most common form of strings includes any string where transverse and lateral vibration are the same. | ||
| - | ==2.1.2 Ribbon | + | ==2.1.2 Ribbon |
| Like those used on the Morin Khuur, all string that have a distinct width to height difference. These are any strings where transverse and lateral vibration are different. | Like those used on the Morin Khuur, all string that have a distinct width to height difference. These are any strings where transverse and lateral vibration are different. | ||
| ==2.1.3 Nonlinear strings== | ==2.1.3 Nonlinear strings== | ||
| Line 249: | Line 249: | ||
| ===4.3 Crushed Reed=== | ===4.3 Crushed Reed=== | ||
| - | When the two sides of the reed are smashed together leading to a muted sound quality due to the ends being dampened. Characteristic of reed instruments such as the Duduk and Hichiriki. | + | When the two sides of the reed are smashed together leading to a muted sound quality due to the ends being dampened. Characteristic of reed instruments such as the Aulos, |
| Line 414: | Line 414: | ||
| ====3 Turbulence ==== | ====3 Turbulence ==== | ||
| - | Inconsistent pressure waves that interfere with the consistent oscillation of sound producing waves. Modifies the timbre of wind instruments and instruments that rely on vortex shredding. Also present inside of chambers when air streams are forced to cross over one another. | + | Inconsistent pressure waves that interfere with the consistent oscillation of sound producing waves. Modifies the timbre of wind instruments and instruments that rely on vortex shredding. Also present inside of chambers when air streams are forced to cross over one another. |
| ====4 Muting (Damping)==== | ====4 Muting (Damping)==== | ||
| Line 432: | Line 432: | ||
| ===5.1 Overtones=== | ===5.1 Overtones=== | ||
| - | Such as the action of playing an overtone by gently touching a string | + | Such as the action of playing an overtone by gently touching a string |
| ===5.2 Undertones=== | ===5.2 Undertones=== | ||
| Line 438: | Line 438: | ||
| ====6 Changing Parameters==== | ====6 Changing Parameters==== | ||
| + | In need of revision, this section if for when an sound is effected by the use of motion or proximity to another object. | ||
| ===6.1 Movement=== | ===6.1 Movement=== | ||
| ===6.2 Proximity=== | ===6.2 Proximity=== | ||
| Line 450: | Line 451: | ||
| Do these actions count as modifiers or parts of the primary sound generating process? | Do these actions count as modifiers or parts of the primary sound generating process? | ||
| \\ | \\ | ||
| + | {{tag> | ||
