Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision |
| experimental_gamelan [2023/01/31 12:33] – [Relationship makers have to one another] mete | experimental_gamelan [2024/01/24 01:47] (current) – [NOTES] mete |
|---|
| |
| ====Gamelan Adjacent Ensembles==== | ====Gamelan Adjacent Ensembles==== |
| | |
| | ===Aaron Taylor Kuffner=== |
| | ==The Gamelatron== |
| | |
| |
| ===Terry Dame=== | ===Terry Dame=== |
| ====Relationship makers have to one another==== | ====Relationship makers have to one another==== |
| |
| "We were playing on what Lou called the "American Gamelan," and when Barbara [Benary] and I pointed out to him that, "yeah, but it's not the only American gamelan," because Barbara had already built some, and Dennis Murphy before her, and Paul [Dresher] and I were working on instruments, and it turned out that David Doty and Harry Rosenthal were also building their own set... It was wonderful! And that's where it started. That was the beginning of American gamelan." ((Daniel Schmidt, interview with Jay Arms the author of "The Work of Indeterminacy: Interpretive Labor in Experimental Music" (linked below in notes), February 17, 2017)) | "We were playing on what Lou called the "American Gamelan," and when Barbara [Benary] and I pointed out to him that, "yeah, but it's not the only American gamelan," because Barbara had already built some, and Dennis Murphy before her, and Paul [Dresher] and I were working on instruments, and it turned out that David Doty and Harry Rosenthal were also building their own set... It was wonderful! And that's where it started. That was the beginning of American gamelan." ((Daniel Schmidt, interview with Jay Arms the author of "Gamelan as World Citizen: American Experimental Music and the Internationalization of Gamelan" (linked below in notes), February 17, 2017)) |
| |
| Brian Baumbusch was a student of Daniel Schmidt. \\ | Brian Baumbusch was a student of Daniel Schmidt. \\ |
| ===American Gamelan institute=== | ===American Gamelan institute=== |
| ==Balungan== | ==Balungan== |
| [[https://emi.wesleyhicks.art/doku.php?id=journals#balungan|Balungan]] is a periodical published by the American Gamelan institute. | [[journals#balungan|Balungan]] is a periodical published by the American Gamelan institute. |
| |
| ====NOTES==== | ====NOTES==== |
| A dissertation "The Work of Indeterminacy: Interpretive Labor in Experimental Music" by Jay Arms on the subject of American Gamelan can be found in full here ((https://escholarship.org/uc/item/80b632bd)) \\ | A dissertation "Gamelan as World Citizen: American Experimental Music and the Internationalization of Gamelan" by Jay Arms on the subject of American Gamelan can be found in full here ((https://escholarship.org/uc/item/80b632bd)) \\ |
| Here is a link to the digital back issues of the Balungan, which is a periodical about experimental and American Gamelan. ((http://www.gamelan.org/balungan/back_issues/)) \\ | Here is a link to the digital back issues of the Balungan, which is a periodical about experimental and American Gamelan. ((http://www.gamelan.org/balungan/back_issues/)) \\ |
| | Link to all back issues of Balungan- ((http://www.gamelan.org/balungan/issues/index.htm)) \\ |
| | |
| | {{tag>[gamelan history essay all]}} \\ |
