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- | Roberto Cabrera is a profoundly interesting person to feature on this wiki. He is a researcher who reconstructs precolombian musical instruments based off archeological evidence. He also has formed theories about the ways the instruments were constructed and played, that are supported by multifaceted forms of evidence. | + | Roberto |
===Instruments=== | ===Instruments=== | ||
+ | |||
+ | {{youtube> | ||
==Duct Flutes== | ==Duct Flutes== | ||
- | ==Screamers== | + | ==Noise Makers== |
+ | |||
+ | ==Ocarinas=== | ||
===Notes=== | ===Notes=== | ||
- | Website ((https:// | + | Website ((https:// |
+ | His website has gone down in the past, I have made a complete copy as it was available as of September 19th, 2020 \\ | ||
+ | Facebook page ((https:// | ||
+ | Youtube channel ((https:// | ||
+ | Interview ((https:// | ||
Roberto is one of the most inspirational figures in my musical instrument making practice. His research into turbulent and chaotic sounding instruments is the most in depth of any researcher that I know of. He is one of only a few that has invested a serious interest in instruments that are not focused on being harmonically pure and consonant. I took this musical style to heard when I read about it, realizing there is a whole world of timbre that is unavailable if one is trying to remove chaos from sound. | Roberto is one of the most inspirational figures in my musical instrument making practice. His research into turbulent and chaotic sounding instruments is the most in depth of any researcher that I know of. He is one of only a few that has invested a serious interest in instruments that are not focused on being harmonically pure and consonant. I took this musical style to heard when I read about it, realizing there is a whole world of timbre that is unavailable if one is trying to remove chaos from sound. |