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| Tarek Atoui is a sculptor and musician who builds musical instruments that act as sculptures. The majority of instruments fiction as an installation that is also a kind of ensemble. He was the artistic directer at [[STEIM]] in Amsterdam | Tarek Atoui is a sculptor and musician who builds musical instruments that act as sculptures. The majority of instruments fiction as an installation that is also a kind of ensemble. He was the artistic directer at [[STEIM]] in Amsterdam | ||
| - | Bio on Tarek Atoui on the Kurimanzutto gallery website-\\ | + | |
| - | http:// | + | |
| + | ====Instruments==== | ||
| ===“Un-drum” Series (2009, 2011)=== | ===“Un-drum” Series (2009, 2011)=== | ||
| " | " | ||
| according to Tarek Atoui-\\ | according to Tarek Atoui-\\ | ||
| - | “Tarab is not a music genre but a state of ‘melotrance’ that you reach after being exposed to music for a certain amount of time,”\\ | + | “Tarab is not a music genre but a state of ‘melotrance’ that you reach after being exposed to music for a certain amount of time,”((https:// |
| - | https:// | + | |
| ===From Architecture (2014, 2015)=== | ===From Architecture (2014, 2015)=== | ||
| Line 19: | Line 20: | ||
| Performances took place on the 22nd and 23rd of October 2015 at the Fondation Louis Vuitton with Tarek Atoui, Gaspar Claus, Uriel Barthélémi, | Performances took place on the 22nd and 23rd of October 2015 at the Fondation Louis Vuitton with Tarek Atoui, Gaspar Claus, Uriel Barthélémi, | ||
| - Fondation Louis Vuitton | - Fondation Louis Vuitton | ||
| - | {{youtube> | + | {{youtube> |
| ===The Reverse Collection (2014-2016)=== | ===The Reverse Collection (2014-2016)=== | ||
| Line 28: | Line 29: | ||
| [[Léo Maurel]] \\ | [[Léo Maurel]] \\ | ||
| [[Thierry Madiot]]\\ | [[Thierry Madiot]]\\ | ||
| - | [[Vincent Martial]] and [[Max Hoton]] who make up the group [[Sonambule]]\\ | + | [[Sonambule|Vincent Martial]] and [[Sonambule|Max Hoton]] who make up the group [[Sonambule]]\\ |
| These instruments were then exhibited in Mexico City at kurimanzutto gallery in 2014. | These instruments were then exhibited in Mexico City at kurimanzutto gallery in 2014. | ||
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| The instruments were then refined and displayed as an installation at Tate Modern.\\ | The instruments were then refined and displayed as an installation at Tate Modern.\\ | ||
| A large group of musicians, mostly Lebanese were invited to play on these instruments in performances that increased in scale from 3-5 players eventually to a full orchestra of people. \\ | A large group of musicians, mostly Lebanese were invited to play on these instruments in performances that increased in scale from 3-5 players eventually to a full orchestra of people. \\ | ||
| - | \\ | + | There is a book published from the TATE modern |
| - | ==INFO== | + | |
| - | Book about his installation at the TATE modern.\\ | + | |
| - | https:// | + | |
| - | An excellent article written about the project- | + | |
| - | https:// | + | |
| ===WITHIN (2016)=== | ===WITHIN (2016)=== | ||
| ===The Ground (2017-ongoing)=== | ===The Ground (2017-ongoing)=== | ||
| + | |||
| Interview with Tarek Atoui at the Venice Biennale- \\ | Interview with Tarek Atoui at the Venice Biennale- \\ | ||
| - | https:// | + | {{youtube>qKF1cqMlK2M}} \\ |
| - | \\ | + | |
| - | performance-\\ | + | |
| - | https:// | + | |
| - | \\ | + | |
| + | Performance of The Ground at the Venice Biennale- | ||
| + | {{youtube> | ||
| + | \\ | ||
| + | ====Notes==== | ||
| + | Bio on Tarek Atoui on the Kurimanzutto gallery website ((http:// | ||
| + | Book about his installation at the TATE modern. ((https:// | ||
| + | An excellent article written about the project ((https:// | ||
| + | Undrum interview ((https:// | ||
| + | Worked with [[Alan Affichard]], | ||
