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Tarek Atoui is a sculptor and musician who builds musical instruments that act as sculptures. The majority of instruments fiction as an installation that is also a kind of ensemble. He was the artistic directer at [[STEIM]] in Amsterdam | Tarek Atoui is a sculptor and musician who builds musical instruments that act as sculptures. The majority of instruments fiction as an installation that is also a kind of ensemble. He was the artistic directer at [[STEIM]] in Amsterdam | ||
- | Bio on Tarek Atoui on the Kurimanzutto gallery website-\\ | + | |
- | http:// | + | |
+ | ====Instruments==== | ||
===“Un-drum” Series (2009, 2011)=== | ===“Un-drum” Series (2009, 2011)=== | ||
" | " | ||
according to Tarek Atoui-\\ | according to Tarek Atoui-\\ | ||
- | “Tarab is not a music genre but a state of ‘melotrance’ that you reach after being exposed to music for a certain amount of time,”\\ | + | “Tarab is not a music genre but a state of ‘melotrance’ that you reach after being exposed to music for a certain amount of time,”((https:// |
- | https:// | + | |
===From Architecture (2014, 2015)=== | ===From Architecture (2014, 2015)=== | ||
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Performances took place on the 22nd and 23rd of October 2015 at the Fondation Louis Vuitton with Tarek Atoui, Gaspar Claus, Uriel Barthélémi, | Performances took place on the 22nd and 23rd of October 2015 at the Fondation Louis Vuitton with Tarek Atoui, Gaspar Claus, Uriel Barthélémi, | ||
- Fondation Louis Vuitton | - Fondation Louis Vuitton | ||
- | {{youtube> | + | {{youtube> |
===The Reverse Collection (2014-2016)=== | ===The Reverse Collection (2014-2016)=== | ||
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The instruments were then refined and displayed as an installation at Tate Modern.\\ | The instruments were then refined and displayed as an installation at Tate Modern.\\ | ||
A large group of musicians, mostly Lebanese were invited to play on these instruments in performances that increased in scale from 3-5 players eventually to a full orchestra of people. \\ | A large group of musicians, mostly Lebanese were invited to play on these instruments in performances that increased in scale from 3-5 players eventually to a full orchestra of people. \\ | ||
- | \\ | + | There is a book published from the TATE modern |
- | ==INFO== | + | |
- | Book about his installation at the TATE modern.\\ | + | |
- | https:// | + | |
- | An excellent article written about the project- | + | |
- | https:// | + | |
===WITHIN (2016)=== | ===WITHIN (2016)=== | ||
===The Ground (2017-ongoing)=== | ===The Ground (2017-ongoing)=== | ||
+ | |||
Interview with Tarek Atoui at the Venice Biennale- \\ | Interview with Tarek Atoui at the Venice Biennale- \\ | ||
- | https:// | + | {{youtube>qKF1cqMlK2M}} \\ |
- | \\ | + | |
- | performance-\\ | + | |
- | https:// | + | |
- | \\ | + | |
+ | Performance of The Ground at the Venice Biennale- | ||
+ | {{youtube> | ||
+ | \\ | ||
+ | ====Notes==== | ||
+ | Bio on Tarek Atoui on the Kurimanzutto gallery website ((http:// | ||
+ | Book about his installation at the TATE modern. ((https:// | ||
+ | An excellent article written about the project ((https:// | ||
+ | Undrum interview ((https:// | ||
+ | Worked with [[Alan Affichard]], |