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-The Xenharmonicon was a magazine that ran from 1974 to 1998 that had a focus on experimental and microtonal music. There is no known digital copies of the magazine but there is a archive of the articles that were originally published in it. +The Xenharmonicon is a journal with a focus of experimental music and microtonal music. The magazine is published by [[Bill Alves]] and [[John H. Chalmers]] along with a curatorial board.
  
 +====Current Journal 2018+====
 +((https://www.xenharmonikon.org/category/articles/))
 +
 +
 +
 +====Historic Issues 1974-1998====
 +
 +The Xenharmonicon was a journal that ran from 1974 to 1998 that had a focus on experimental and microtonal music. The magazine was published by [[John H. Chalmers]] through the University of California San Diego. There is no known digital copies of the magazine but there is an archive of the articles that were originally published in it. 
  
 ===Volume 1 (Spring 1974)=== ===Volume 1 (Spring 1974)===
  
-Editorial and Prospectus +Editorial and Prospectus, John Chalmers
-    John Chalmers+
  
-Four Items +Four Items, Lou Harrison
-    Lou Harrison+
  
-The Bosanquetian 7-Rank Keyboard After Poole and Brown +The Bosanquetian 7-Rank Keyboard After Poole and Brown, Erv Wilson
-    Erv Wilson+
  
-Xenharmonic Bulletin No. 1 +Xenharmonic Bulletin No. 1, Ivor Darreg
-    Ivor Darreg+
  
-Xenharmonic Bulletin No. 2 +Xenharmonic Bulletin No. 2,  
-    Ivor Darreg+Ivor Darreg
  
-Harmonic Series - Normal Overtones (chart) +Harmonic Series - Normal Overtones (chart),  
-    Ivor Darreg+Ivor Darreg
  
-Harmonic Series Compared with Quartertone and 12-tone Tempered Scales (chart) +Harmonic Series Compared with Quartertone and 12-tone Tempered Scales (chart),  
-    Ivor Darreg+Ivor Darreg
  
-List of Intervals Relevant to the Theory of Tuning (chart) +List of Intervals Relevant to the Theory of Tuning (chart),  
-    Ivor Darreg+Ivor Darreg
  
-Selections from Compositions by Ivor Darreg (score) +Selections from Compositions by Ivor Darreg (score),  
-    Ivor Darreg+Ivor Darreg
  
-Computer Generated Tuning Tables (chart) +Computer Generated Tuning Tables (chart),  
-    John Chalmers +John Chalmers 
  
 ===Volume 2 (Fall 1974)=== ===Volume 2 (Fall 1974)===
  
-Notes & Comments +Notes & Comments,  
-    John Chalmers+John Chalmers
  
-The Evolutionary Music System +The Evolutionary Music System,  
-    Thomas Stone+Thomas Stone
  
-Bosanquet - A Bridge - A Doorway to Dialog +Bosanquet - A Bridge - A Doorway to Dialog,  
-    Erv Wilson+Erv Wilson
  
-A Classification of Tonal Systems, and a Proposed Standardization of Signatures +A Classification of Tonal Systems, and a Proposed Standardization of Signatures,  
-    Erv Wilson+Erv Wilson
  
-At the Tomb of Charles Ives (score) +At the Tomb of Charles Ives (score),  
-    Lou Harrison+Lou Harrison
  
-Xenharmonic Bulletin No. 3 +Xenharmonic Bulletin No. 3,  
-    Ivor Darreg+Ivor Darreg
  
-Guitar Fretting Table 19-tone (chart) +Guitar Fretting Table 19-tone (chart),  
-    Ivor Darreg+Ivor Darreg
  
-Some New Linear Temperaments +Some New Linear Temperaments,  
-    John Chalmers +John Chalmers 
  
 ===Volume 3 (Spring 1975)=== ===Volume 3 (Spring 1975)===
  
-Notes & Comments +Notes & Comments,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-Xenharmonic Bulletin No. 4 +Xenharmonic Bulletin No. 4,  
-    Ivor Darreg+Ivor Darreg
  
-On the Enharmonic Tetrachord (score) +On the Enharmonic Tetrachord (score),  
-    Ivor Darreg+Ivor Darreg
  
-Prelude for Guitar, in E Minor (score) +Prelude for Guitar, in E Minor (score),  
-    Ivor Darreg+Ivor Darreg
  
-An American Gamelan +An American Gamelan,  
-    William Colvig+William Colvig
  
-On This Thing Called Scalatron +On This Thing Called Scalatron,  
-    Richard J. Harasek+Richard J. Harasek
  
-Scalatron Brochure (advertisement) +Scalatron Brochure (advertisement),  
-    Richard J. Harasek+Richard J. Harasek
  
-Well Tempered Notes +Well Tempered Notes,  
-    Richard J. Harasek+Richard J. Harasek
  
-The Generalized Keyboard Scalatron +The Generalized Keyboard Scalatron,  
-    George Secor+George Secor
  
-Unified Visualization and Notation of Xenharmonic Systems +Unified Visualization and Notation of Xenharmonic Systems,  
-    George Secor+George Secor
  
-A New Look at the Partch Monophonic Fabric +A New Look at the Partch Monophonic Fabric,  
-    George Secor+George Secor
  
-A Phrase for Arion's Leap (score) +A Phrase for Arion's Leap (score),  
-    Lou Harrison+Lou Harrison
  
-Preface to "Two Phrases in Free Style" +Preface to "Two Phrases in Free Style",  
-    Kerry G. Lewis+Kerry G. Lewis
  
-Phrase in Free Style #1 (score) +Phrase in Free Style #1 (score),  
-    Kerry G. Lewis+Kerry G. Lewis
  
-Phrase in Free Style #2 (score) +Phrase in Free Style #2 (score),  
-    Kerry G. Lewis+Kerry G. Lewis
  
-The Application of Rothenberg's Pattern Recognition Model to the Structure of Tetrachords and Tetrachordal Scales +The Application of Rothenberg's Pattern Recognition Model to the Structure of Tetrachords and Tetrachordal Scales,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-On Linear Notations and the Bosanquet Keyboard +On Linear Notations and the Bosanquet Keyboard,  
-    Erv Wilson+Erv Wilson
  
-On the Development of Intonational Systems by Extended Linear Mapping +On the Development of Intonational Systems by Extended Linear Mapping,  
-    Erv Wilson +Erv Wilson 
  
 ===Volume 4 (Fall 1975)=== ===Volume 4 (Fall 1975)===
  
-Notes and Comments +Notes and Comments,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament: Chapter 11 - Joseph Yasser +Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament: Chapter 11 - Joseph Yasser,  
-    M. Joel Mandelbaum+M. Joel Mandelbaum
  
-Xenharmonic Bulletin No. 5 +Xenharmonic Bulletin No. 5,  
-    Ivor Darreg+Ivor Darreg
  
-Ivor Darreg's Musical Compositions Conceived for the Medium of Tape Recording (chart) +Ivor Darreg's Musical Compositions Conceived for the Medium of Tape Recording (chart),  
-    Ivor Darreg+Ivor Darreg
  
-Xenharmonic Bulletin No. 6 +Xenharmonic Bulletin No. 6,  
-    Ivor Darreg+Ivor Darreg
  
-Episodes in the 17-Tone System (score) +Episodes in the 17-Tone System (score),  
-    Ivor Darreg+Ivor Darreg
  
-Well Tempered Notes +Well Tempered Notes,  
-    Richard Harasek+Richard Harasek
  
-Specifications of the Secor Generalized Keyboard Scalatron +Specifications of the Secor Generalized Keyboard Scalatron,  
-    George Secor+George Secor
  
-Braid Piece (score) +Braid Piece (score),  
-    Barbara Benary+Barbara Benary
  
-Tonal Incarnations +Tonal Incarnations,  
-    Barbara Benary+Barbara Benary
  
-Item: Five-tone, Six-tone, & Seven-tone Modal Forms within the Traditional Matrix of Two Tetrachords Separated by a Nine to Eight +Item: Five-tone, Six-tone, & Seven-tone Modal Forms within the Traditional Matrix of Two Tetrachords Separated by a Nine to Eight,  
-    Lou Harrison+Lou Harrison
  
-Cyclic Scales +Cyclic Scales,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-The 12+7+12=31 Geometry Applied to 3 Percussion Keyboards +The 12+7+12=31 Geometry Applied to 3 Percussion Keyboards,  
-    Erv Wilson+Erv Wilson
  
-19-tone Clavichord (advertisement) +19-tone Clavichord (advertisement),  
-    Erv Wilson +Erv Wilson 
  
 ===Volume 5 (Spring 1976)=== ===Volume 5 (Spring 1976)===
  
-Notes & Comments +Notes & Comments,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-The Golden Net (score) +The Golden Net (score),  
-    Douglas Walker+Douglas Walker
  
-Xenharmonic Bulletin No. 7 +Xenharmonic Bulletin No. 7,  
-    Ivor Darreg+Ivor Darreg
  
-Colorless Green Ideas Sleep Furiously (score) +Colorless Green Ideas Sleep Furiously (score),  
-    Ivor Darreg+Ivor Darreg
  
-A Symposium in the Study of Tricesimoprimal Music (advertisement) +A Symposium in the Study of Tricesimoprimal Music (advertisement),  
-    Robert Chamberlin+Robert Chamberlin
  
-The Pitches of Meantone Assigned to the 19-tone Generalized Keyboard (chart) +The Pitches of Meantone Assigned to the 19-tone Generalized Keyboard (chart),  
-    Erv Wilson+Erv Wilson
  
-Some Details Concerning The 19-Tone Clavichord +Some Details Concerning The 19-Tone Clavichord,  
-    Jay Scott Hackleman+Jay Scott Hackleman
  
-Notes and Comments +Notes and Comments,  
-    George Secor+George Secor
  
-The Trouble with Equal Temperaments +The Trouble with Equal Temperaments,  
-    George Secor+George Secor
  
-An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn +An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn,  
-    George Secor+George Secor
  
-Incidental Music for Corneille's "Cinna" (score) +Incidental Music for Corneille's "Cinna" (score),  
-    Lou Harrison +Lou Harrison 
  
 ===Volume 6 (Summer 1977)=== ===Volume 6 (Summer 1977)===
  
-Notes and Comments, Six +Notes and Comments, Six,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-Manual of Quartertone Harmony (Translated from the French by Ivor Darreg) +Manual of Quartertone Harmony (Translated from the French by Ivor Darreg),  
-    Ivan Vyshnegradski+Ivan Vyshnegradski
  
-Piano Study #5 (for JPR) (score) +Piano Study #5 (for JPR) (score),  
-    Larry Polansky+Larry Polansky
  
-Movement for Lou Harrison, for Two Violins (score) +Movement for Lou Harrison, for Two Violins (score),  
-    Larry Polansky+Larry Polansky
  
-Eight Pieces for Harp in Ditone Diatonic (score) +Eight Pieces for Harp in Ditone Diatonic (score),  
-    Larry London+Larry London
  
-Xenharmonic Bulletin No. 8 +Xenharmonic Bulletin No. 8,  
-    Ivor Darreg+Ivor Darreg
  
-Three Short Preludes (score) +Three Short Preludes (score),  
-    Douglas Walker+Douglas Walker
  
-"The Dayspring," music for 19-tone clavichord (score) +"The Dayspring," music for 19-tone clavichord (score),  
-    Douglas Walker+Douglas Walker
  
-19-Tone Scale for the Clavichord-19 (chart) +19-Tone Scale for the Clavichord-19 (chart),  
-    Erv Wilson+Erv Wilson
  
-31 Tone Meantone Tuning - Link Between Past and Future +31 Tone Meantone Tuning - Link Between Past and Future,  
-    Herman Pedtke+Herman Pedtke
  
-Guitar with Interchangeable Fingerboards +Guitar with Interchangeable Fingerboards,  
-    A. Peter Westbrook +A. Peter Westbrook 
  
 ===Volume 7+8 (Spring 1979)=== ===Volume 7+8 (Spring 1979)===
  
-Notes and Comments: Seven and Eight +Notes and Comments: Seven and Eight,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-Introduction to Everything +Introduction to Everything,  
-    Cris Forster+Cris Forster
  
-Chrysalis +Chrysalis,  
-    Cris Forster+Cris Forster
  
-Harmonic/Melodic Canon IV +Harmonic/Melodic Canon IV,  
-    Cris Forster+Cris Forster
  
-Diamond Marimba II +Diamond Marimba II,  
-    Cris Forster+Cris Forster
  
-Ascent of the Phoenix (score) +Ascent of the Phoenix (score),  
-    C. Forster+C. Forster
  
-"... out of fathomless Dark/into limitless Light ..." (score) +"... out of fathomless Dark/into limitless Light ..." (score),  
-    Douglas Walker+Douglas Walker
  
-Xenharmonic Bulletin No. 9 +Xenharmonic Bulletin No. 9,  
-    Ivor Darreg+Ivor Darreg
  
-Anthracite Sweetheart (score) +Anthracite Sweetheart (score),  
-    Brian Hartzler+Brian Hartzler
  
-A Short History of Thirty-One Tones to the Octave +A Short History of Thirty-One Tones to the Octave,  
-    Martin Sweidel+Martin Sweidel
  
-Fantasia in 19-Tone Equal Temperament (score) +Fantasia in 19-Tone Equal Temperament (score),  
-    Martin Sweidel+Martin Sweidel
  
-Fabio Colonna's Sambuca +Fabio Colonna's Sambuca,  
-    Lynn Wood Martin+Lynn Wood Martin
  
-Decimal Music +Decimal Music,  
-    Gary Morrison+Gary Morrison
  
-Decadence (score) +Decadence (score),  
-    Gary Morrison+Gary Morrison
  
-Item: Thoughts while Designing a Gamelan +Item: Thoughts while Designing a Gamelan,  
-    Lou Harrison+Lou Harrison
  
-A Chart of All Superparticular Ratios from 2/1 through 81/80 with Value (or Size) in Cents (chart) +A Chart of All Superparticular Ratios from 2/1 through 81/80 with Value (or Size) in Cents (chart),  
-    William Colvig+William Colvig
  
-Four Duets for Psaltery and Harp (score) +Four Duets for Psaltery and Harp (score),  
-    David Rosenthal+David Rosenthal
  
-Helix Song (score) +Helix Song (score),  
-    David Rosenthal+David Rosenthal
  
-Four Pieces in Didymus's Chromatic (score) +Four Pieces in Didymus's Chromatic (score),  
-    Larry London+Larry London
  
-Movement for Andréa Smith (My Funny Valentine for Just String Quartet) (score) +Movement for Andréa Smith (My Funny Valentine for Just String Quartet) (score),  
-    Larry Polansky+Larry Polansky
  
-Binary Flute +Binary Flute,  
-    Denny Genovese+Denny Genovese
  
-Web of Fifths and Thirds (chart) +Web of Fifths and Thirds (chart),  
-    Scott Makeig+Scott Makeig
  
-Polychordal Arrays of MOS Scales +Polychordal Arrays of MOS Scales,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-A Collection of Scales With Nineteen Tones +A Collection of Scales With Nineteen Tones,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-Some Additional Nineteen-tone Scales +Some Additional Nineteen-tone Scales,  
-    John H. Chalmers, Jr. +John H. Chalmers, Jr. 
  
 ===Volume 9 (1986)=== ===Volume 9 (1986)===
  
-Notes and Comments +Notes and Comments,  
-    Daniel J. Wolf+Daniel J. Wolf
  
-Tritriadic Scales with Seven Tones +Tritriadic Scales with Seven Tones,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-A Kind Word or Two About Alexander John Ellis on the Occasion of the Centennial 1885-1985 of the Second English Edition of His Translation of and Appendix to Helmholtz's Sensations of Tone +A Kind Word or Two About Alexander John Ellis on the Occasion of the Centennial 1885-1985 of the Second English Edition of His Translation of and Appendix to Helmholtz's Sensations of Tone,  
-    Ivor Darreg+Ivor Darreg
  
-Without Frets (I): General Considerations +Without Frets (I): General Considerations,  
-    David Feldman+David Feldman
  
-Going Places (score) +Going Places (score),  
-    David Feldman+David Feldman
  
-Combination-Product Set Patterns +Combination-Product Set Patterns,  
-    Kraig Grady+Kraig Grady
  
-String Quartet (1965-1975), I.S.I.M (score) +String Quartet (1965-1975), I.S.I.M (score),  
-    Douglas Leedy+Douglas Leedy
  
-Will You Miss Me (score) +Will You Miss Me (score),  
-    Larry Polansky+Larry Polansky
  
-The Marwa Permutations +The Marwa Permutations,  
-    Ervin M. Wilson+Ervin M. Wilson
  
-The Melodic Version (1984) of The Second Dream of the High-Tension Line Stepdown Transformer from The Four Dreams of China (1962): Notes by the Composer +The Melodic Version (1984) of The Second Dream of the High-Tension Line Stepdown Transformer from The Four Dreams of China (1962): Notes by the Composer,  
-    La Monte Young +La Monte Young 
  
 ===Volume 10 (1987)=== ===Volume 10 (1987)===
  
-Notes and Comments +Notes and Comments,  
-    D. J. Wolf+D. J. Wolf
  
-Monochordal Interpretations of Propositions in Euclid's Elements +Monochordal Interpretations of Propositions in Euclid's Elements,  
-    Jon Barlow+Jon Barlow
  
-Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties +Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties,  
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
-Table of Errors in Equally-Tempered Intervals (chart) +Table of Errors in Equally-Tempered Intervals (chart),  
-    Ivor Darreg+Ivor Darreg
  
-Four Bass Studies (what to do when the night comes...) (score) +Four Bass Studies (what to do when the night comes...) (score),  
-    Larry Polansky+Larry Polansky
  
-The Purvi Modulations +The Purvi Modulations,  
-    Ervin M. Wilson+Ervin M. Wilson
  
-Trio: The Sands (music that doesn't bother) (score) +Trio: The Sands (music that doesn't bother) (score),  
-    Daniel Wolf +Daniel Wolf 
  
 ===Volume 11 (1989)=== ===Volume 11 (1989)===
  
-Notes and Comments +Notes and Comments,  
-    Daniel J. Wolf  +Daniel J. Wolf,  
-    p. ii+p. ii
  
-Tetrachordal Scales and Complexes +Tetrachordal Scales and Complexes,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 1-20+pp. 1-20
  
-A Question of Microtonal Notation +A Question of Microtonal Notation,  
-    Ezra Sims  +Ezra Sims,  
-    pp. 21-24+pp. 21-24
  
-Speculum Pélogi +Speculum Pélogi,  
-    D. J. Wolf  +D. J. Wolf,  
-    pp. 25-33+pp. 25-33
  
-Mr. Cage, His Ghosts, and Cheap Imitation(s) +Mr. Cage, His Ghosts, and Cheap Imitation(s),  
-    Daniel J. Wolf  +Daniel J. Wolf,  
-    pp. 34-42+pp. 34-42
  
-A Linear Twenty-Nine Tone Scale +A Linear Twenty-Nine Tone Scale,  
-    Jose L. Garcia  +Jose L. Garcia,  
-    pp. 43-45+pp. 43-45
  
-Notes on a New Marimba, its Tuning, and its Music +Notes on a New Marimba, its Tuning, and its Music,  
-    Erv Wilson, Stephen Smith, and Kraig Grady  +Erv Wilson, Stephen Smith, and Kraig Grady,  
-    pp. 46-60+pp. 46-60
  
-Review of The Science of Musical Sound, by John R. Pierce; and Lutes, Viols and Temperaments, by Mark Lindley +Review of The Science of Musical Sound, by John R. Pierce; and Lutes, Viols and Temperaments, by Mark Lindley,  
-    Douglas Leedy  +Douglas Leedy,  
-    pp. 61-67+pp. 61-67
  
-Movement for Lou Harrison, for just bass quartet (score) +Movement for Lou Harrison, for just bass quartet (score),  
-    Larry Polansky  +Larry Polansky,  
-    pp. 68-89+pp. 68-89
  
-Xenharmonikon I through Xenharmonikon X, an Index (chart) +Xenharmonikon I through Xenharmonikon X, an Index (chart),  
-    Daniel J. Wolf  +Daniel J. Wolf,  
-    pp. 90-93 +pp. 90-93 
  
 ===Volume 12 (Spring 1989)=== ===Volume 12 (Spring 1989)===
  
-Notes and Comments +Notes and Comments,  
-    Daniel J. Wolf  +Daniel J. Wolf,  
-    p. ii+p. ii
  
-D'alessandro, Like a Hurricane +D'alessandro, Like a Hurricane,  
-    Erv Wilson  +Erv Wilson,  
-    pp. 1-39+pp. 1-39
  
-Tritriadic Scales with Seven Tones. Part Three: The M->T and D->M Matrices +Tritriadic Scales with Seven Tones. Part Three: The M->T and D->M Matrices,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 40-68+pp. 40-68
  
-Development of a 53-tone Keyboard Layout +Development of a 53-tone Keyboard Layout,  
-    Larry A. Hanson  +Larry A. Hanson,  
-    pp. 69-87+pp. 69-87
  
-Supplement: Makers of Instruments, et cetera, Part 1 (advertisement) +Supplement: Makers of Instruments, et cetera, Part 1 (advertisement),  
-    Daniel J. Wolf  +Daniel J. Wolf,  
-    pp. 88-89 +pp. 88-89 
  
 ===Volume 13 (Spring 1991)=== ===Volume 13 (Spring 1991)===
  
-Notes and Comments +Notes and Comments,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 1-3+pp. 1-3
  
-Information and Guidelines for Subscribers and Contributors to Xenharmonikôn +Information and Guidelines for Subscribers and Contributors to Xenharmonikôn,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 3-4+pp. 3-4
  
-Biases in Xenharmonic Scales +Biases in Xenharmonic Scales,  
-    I. Darreg and B. McLaren  +I. Darreg and B. McLaren,  
-    pp. 5-19+pp. 5-19
  
-General Methods for Generating Musical Scales +General Methods for Generating Musical Scales,  
-    B. McLaren  +B. McLaren,  
-    pp. 20-44+pp. 20-44
  
-Notes Towards Quasi-Tonal Treiskaidekaphilia +Notes Towards Quasi-Tonal Treiskaidekaphilia,  
-    Paul Rapoport  +Paul Rapoport,  
-    pp. 45-52+pp. 45-52
  
-Three Approaches to Harmony in 13-TET +Three Approaches to Harmony in 13-TET,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 53-64+pp. 53-64
  
-Interactive Program - Just Modulations (computer program) +Interactive Program - Just Modulations (computer program),  
-    Buzz Kimball  +Buzz Kimball,  
-    pp. 65-66+pp. 65-66
  
-Season of Dust (score) +Season of Dust (score),  
-    Buzz Kimball  +Buzz Kimball,  
-    pp. 67-69+pp. 67-69
  
-T1: california duet for trombone and trombonist (score) +T1: california duet for trombone and trombonist (score),  
-    R. Marsanyi  +R. Marsanyi,  
-    pp. 70-76+pp. 70-76
  
-Composing in Seven Equal +Composing in Seven Equal,  
-    Clem Fortuna  +Clem Fortuna,  
-    pp. 77-79+pp. 77-79
  
-String Quartet in Seven-Equal (score) +String Quartet in Seven-Equal (score),  
-    C. Fortuna  +C. Fortuna,  
-    pp. 80-85+pp. 80-85
  
-The Discovery of a 14-tone Scale +The Discovery of a 14-tone Scale,  
-    Kraig Grady  +Kraig Grady,  
-    pp. 86-89+pp. 86-89
  
-A Graphical Technique for Finding Equally-Tempered Scales by Their Harmonic Resources +A Graphical Technique for Finding Equally-Tempered Scales by Their Harmonic Resources,  
-    Gary Morrison  +Gary Morrison,  
-    pp. 90-94+pp. 90-94
  
-Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch +Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch,  
-    Douglas Leedy  +Douglas Leedy,  
-    pp. 95-99+pp. 95-99
  
-Review of Pitch for the International Microtonalist, Vol. 1, No. 4, edited by Johnny Reinhard +Review of Pitch for the International Microtonalist, Vol. 1, No. 4, edited by Johnny Reinhard,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 100-101+pp. 100-101
  
-Review of Pitch, Pi, and Other Musical Paradoxes, by Charles E. H. Lucy +Review of Pitch, Pi, and Other Musical Paradoxes, by Charles E. H. Lucy,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 102-103+pp. 102-103
  
-Resources +Resources,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 104-105 +pp. 104-105 
  
 ===Volume 14 (Spring 1993)=== ===Volume 14 (Spring 1993)===
  
-Notes & Comments +Notes & Comments,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 1-2+pp. 1-2
  
-Those Difficult Teens (and Other Microtonal Scales) +Those Difficult Teens (and Other Microtonal Scales),  
-    B. McLaren  +B. McLaren,  
-    pp. 3-6+pp. 3-6
  
-A Nostalgic Look at the 20s (& Other Microtonal Scales) +A Nostalgic Look at the 20s (& Other Microtonal Scales),  
-    B. McLaren  +B. McLaren,  
-    pp. 6-8+pp. 6-8
  
-The Low Profile of Those Higher Divisions of the Octave +The Low Profile of Those Higher Divisions of the Octave,  
-    B. McLaren  +B. McLaren,  
-    pp. 8-11+pp. 8-11
  
-The Uses and Characteristics of Non-octave Scales +The Uses and Characteristics of Non-octave Scales,  
-    B. McLaren  +B. McLaren,  
-    pp. 12-22+pp. 12-22
  
-An Interview With Ivor Darreg About "The Xenharmonic Frontier" +An Interview With Ivor Darreg About "The Xenharmonic Frontier",  
-    B. McLaren  +B. McLaren,  
-    pp. 23-39+pp. 23-39
  
-An Analysis of Ivor Darreg's XF1, Volume 1, Number 12 +An Analysis of Ivor Darreg's XF1, Volume 1, Number 12,  
-    B. McLaren  +B. McLaren,  
-    pp. 40-49+pp. 40-49
  
-Xenharmonic Frontier Vol. 1, No. 9: 21/oct (score) +Xenharmonic Frontier Vol. 1, No. 9: 21/oct (score),  
-    Ivor Darreg  +Ivor Darreg,  
-    pp. 50-52+pp. 50-52
  
-Xenharmonic Bulletin No. 12 +Xenharmonic Bulletin No. 12,  
-    Ivor Darreg  +Ivor Darreg,  
-    pp. 53-79+pp. 53-79
  
-Horn (score) +Horn (score),  
-    Larry Polansky  +Larry Polansky,  
-    pp. 80-90+pp. 80-90
  
-Epimores (score) +Epimores (score),  
-    Carter Scholz  +Carter Scholz,  
-    pp. 91-92+pp. 91-92
  
-An Imaginary Nocturne (score) +An Imaginary Nocturne (score),  
-    Douglas Walker  +Douglas Walker,  
-    pp. 93-108+pp. 93-108
  
-limit19.c, a limit 19 calculator for just intonation music composition (computer program) +limit19.c, a limit 19 calculator for just intonation music composition (computer program),  
-    Matthew Walker  +Matthew Walker,  
-    pp. 109-113 +pp. 109-113 
  
 ===Volume 15 (Autumn 1993)=== ===Volume 15 (Autumn 1993)===
  
-Notes & Comments 15 +Notes & Comments 15,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 1-2+pp. 1-2
  
-The Tonality of the Golden Section +The Tonality of the Golden Section,  
-    Walter O'Connell  +Walter O'Connell,  
-    pp. 3-18+pp. 3-18
  
-The Year of the Monkey +The Year of the Monkey,  
-    Brink McGoogy  +Brink McGoogy,  
-    pp. 19-26+pp. 19-26
  
-The Uses and Characteristics of Non-just Non-equal-tempered Scales +The Uses and Characteristics of Non-just Non-equal-tempered Scales,  
-    B. McLaren  +B. McLaren,  
-    pp. 27-41+pp. 27-41
  
-Circles of Fifths +Circles of Fifths,  
-    B. McLaren  +B. McLaren,  
-    pp. 42-51+pp. 42-51
  
-9/Oct Piano Piece (score) +9/Oct Piano Piece (score),  
-    B. McLaren  +B. McLaren,  
-    pp. 52-55+pp. 52-55
  
-Giving Number a Voice +Giving Number a Voice,  
-    Douglas Leedy  +Douglas Leedy,  
-    pp. 56-59+pp. 56-59
  
-The Triadic Diamond, the Triadic Reversed Diamond and Their Constituent Tetrachords when D = 3/2 +The Triadic Diamond, the Triadic Reversed Diamond and Their Constituent Tetrachords when D = 3/2,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 60-73+pp. 60-73
  
-The Touch-Tone® Signal Pitches as Subsets of Stretched 14-Tone ET's +The Touch-Tone® Signal Pitches as Subsets of Stretched 14-Tone ET's,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 74-80+pp. 74-80
  
-Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude +Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 81-95+pp. 81-95
  
-Review of The Just Intonation Primer, by David B. Doty +Review of The Just Intonation Primer, by David B. Doty,  
-    John H. Chalmers, Jr.  +John H. Chalmers, Jr.,  
-    pp. 96-97+pp. 96-97
  
-A Numerical Theory of Scale Invention +A Numerical Theory of Scale Invention,  
-    Bruce R. Gilson  +Bruce R. Gilson,  
-    pp. 98-134 +pp. 98-134 
  
 ===Volume 16 (Autumn 1995)=== ===Volume 16 (Autumn 1995)===
  
-Notes & Comments 16 +Notes & Comments 16,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 1-3+pp. 1-3
  
-In Memoriam Ivor Darreg +In Memoriam Ivor Darreg,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 4-18+pp. 4-18
  
-Ivor Darreg: An Interview About His Life and Work +Ivor Darreg: An Interview About His Life and Work,  
-    B. McLaren  +B. McLaren,  
-    pp. 19-35+pp. 19-35
  
-Macrotonal Scales +Macrotonal Scales,  
-    B. McLaren  +B. McLaren,  
-    pp. 36-44+pp. 36-44
  
-More About Non-Octave Scales +More About Non-Octave Scales,  
-    B. McLaren  +B. McLaren,  
-    pp. 45-53+pp. 45-53
  
-An Interview with Ralph David Hill +An Interview with Ralph David Hill,  
-    B. McLaren  +B. McLaren,  
-    pp. 54-60+pp. 54-60
  
-The Notation of Equal Temperaments +The Notation of Equal Temperaments,  
-    Paul Rapoport  +Paul Rapoport,  
-    pp. 61-84+pp. 61-84
  
-34-Tone Notation System Based on Adjusted 17-Tone +34-Tone Notation System Based on Adjusted 17-Tone,  
-    Gary Morrison  +Gary Morrison,  
-    pp. 86-91+pp. 86-91
  
-On the Nature of Working with Performers +On the Nature of Working with Performers,  
-    Kraig Grady  +Kraig Grady,  
-    p. 92+p. 92
  
-Centaur - A 7-Limit 12 Tone Tuning (chart) +Centaur - A 7-Limit 12 Tone Tuning (chart),  
-    K. Grady  +K. Grady,  
-    p. 93+p. 93
  
-A Rhythmic Application of the Horagrams +A Rhythmic Application of the Horagrams,  
-    Kraig Grady  +Kraig Grady,  
-    pp. 94-98+pp. 94-98
  
-Drones 1994 #2: Old Commas Inverted and Revisited (score) +Drones 1994 #2: Old Commas Inverted and Revisited (score),  
-    Warren Burt  +Warren Burt,  
-    pp. 99-102+pp. 99-102
  
-"COMMAS" Dec. 92-Jan. 93 for Electronic Keyboard (score) +"COMMAS" Dec. 92-Jan. 93 for Electronic Keyboard (score),  
-    Warren Burt  +Warren Burt,  
-    p. 103+p. 103
  
-A Brief History of the Lambdoma and the Musical Properties of the Computer Program for the "Lambdoma Harmonic Keyboard"TM +A Brief History of the Lambdoma and the Musical Properties of the Computer Program for the "Lambdoma Harmonic Keyboard"TM,  
-    Barbara Hero  +Barbara Hero,  
-    pp. 104-113+pp. 104-113
  
-Notes on Mysteries +Notes on Mysteries,  
-    Neil Haverstick  +Neil Haverstick,  
-    pp. 114-115+pp. 114-115
  
-Mysteries (score) +Mysteries (score),  
-    Neil Haverstick  +Neil Haverstick,  
-    pp. 116-117+pp. 116-117
  
-Studien im Gebiet der reinen Stimmung (A Translation of Pages 8 to 18 by Daniel J. Wolf) +Studien im Gebiet der reinen Stimmung (A Translation of Pages 8 to 18 by Daniel J. Wolf),  
-    Shohé Tanaka  +Shohé Tanaka,  
-    pp. 118-125+pp. 118-125
  
-Review of Principios de la Gama Dinámica, by Eduardo Sábat Garibaldi +Review of Principios de la Gama Dinámica, by Eduardo Sábat Garibaldi,  
-    John Chalmers  +John Chalmers,  
-    pp. 126-127 +pp. 126-127 
  
 ===Volume 17 (Spring 1998)=== ===Volume 17 (Spring 1998)===
  
-Notes & Comments 17 +Notes & Comments 17,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 1-3+pp. 1-3
  
-Notes on Lattice: one approach to dynamic tuning +Notes on Lattice: one approach to dynamic tuning,  
-    Carter Scholz  +Carter Scholz,  
-    pp. 4-8+pp. 4-8
  
-34-ET Notation System Based on Major and Minor Thirds +34-ET Notation System Based on Major and Minor Thirds,  
-    Larry A. Hanson  +Larry A. Hanson,  
-    pp. 9-11+pp. 9-11
  
-Tuning, Tonality and Twenty-Two-Tone Temperament +Tuning, Tonality and Twenty-Two-Tone Temperament,  
-    Paul Erlich  +Paul Erlich,  
-    pp. 12-40+pp. 12-40
  
-The Musical Animal's Musical Adventures +The Musical Animal's Musical Adventures,  
-    Heinz Bohlen  +Heinz Bohlen,  
-    pp. 41-56+pp. 41-56
  
-A Brief History of Microtonality in the Twentieth Century +A Brief History of Microtonality in the Twentieth Century,  
-    B. McLaren  +B. McLaren,  
-    pp. 57-110+pp. 57-110
  
-The Number of 23-Prime-Limit Superparticular Ratios Less than 10,000,000 +The Number of 23-Prime-Limit Superparticular Ratios Less than 10,000,000,  
-    John H. Chalmers  +John H. Chalmers,  
-    pp. 111-115+pp. 111-115
  
-Pitch, Scale and Tuning in Rusty: A Fuzzy Logic Approach to the Tuning Problem +Pitch, Scale and Tuning in Rusty: A Fuzzy Logic Approach to the Tuning Problem,  
-    Michael Saunders and Michael Greenhough  +Michael Saunders and Michael Greenhough,  
-    pp. 116-119+pp. 116-119
  
-Review of On the Relations of Tone, by Martin Vogel +Review of On the Relations of Tone, by Martin Vogel,  
-    Douglas Leedy  +Douglas Leedy,  
-    pp. 120-123+pp. 120-123
  
-Letter to the Editor +Letter to the Editor,  
-Heinz Bohlen +Heinz Bohlen, 
 p. 124  p. 124 
  
-===NOTES=== +====NOTES==== 
-Link to with Web Archive (snapshot from 2002) of the Xenharmonicon website ((https://web.archive.org/web/20011217135938/http://www.tiac.net/users/xen/xh/tables-of-contents.html)) +There is a new journal started in 2018 also running under the name Xenharmonikon ((https://www.xenharmonikon.org/about/)) 
 +Link to with Web Archive (snapshot from December 17th 2001) of the Xenharmonicon website ((https://web.archive.org/web/20011217135938/http://www.tiac.net/users/xen/xh/tables-of-contents.html)) 
  
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