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-The Xenharmonicon was magazine that ran from 1974 to 1998 that had a focus on experimental and microtonal music. The magazine was published by [[John H. Chalmers]] through the University of California San Diego. There is no known digital copies of the magazine but there is an archive of the articles that were originally published in it+The Xenharmonicon is journal with a focus of experimental music and microtonal music. The magazine is published by [[Bill Alves]] and [[John H. Chalmers]] along with a curatorial board.
  
 +====Current Journal 2018+====
 +((https://www.xenharmonikon.org/category/articles/))
 +
 +
 +
 +====Historic Issues 1974-1998====
 +
 +The Xenharmonicon was a journal that ran from 1974 to 1998 that had a focus on experimental and microtonal music. The magazine was published by [[John H. Chalmers]] through the University of California San Diego. There is no known digital copies of the magazine but there is an archive of the articles that were originally published in it. 
  
 ===Volume 1 (Spring 1974)=== ===Volume 1 (Spring 1974)===
Line 241: Line 249:
  
 Diamond Marimba II,  Diamond Marimba II, 
-    Cris Forster+Cris Forster
  
 Ascent of the Phoenix (score),  Ascent of the Phoenix (score), 
-    C. Forster+C. Forster
  
 "... out of fathomless Dark/into limitless Light ..." (score),  "... out of fathomless Dark/into limitless Light ..." (score), 
-    Douglas Walker+Douglas Walker
  
 Xenharmonic Bulletin No. 9,  Xenharmonic Bulletin No. 9, 
-    Ivor Darreg+Ivor Darreg
  
 Anthracite Sweetheart (score),  Anthracite Sweetheart (score), 
-    Brian Hartzler+Brian Hartzler
  
 A Short History of Thirty-One Tones to the Octave,  A Short History of Thirty-One Tones to the Octave, 
-    Martin Sweidel+Martin Sweidel
  
 Fantasia in 19-Tone Equal Temperament (score),  Fantasia in 19-Tone Equal Temperament (score), 
-    Martin Sweidel+Martin Sweidel
  
 Fabio Colonna's Sambuca,  Fabio Colonna's Sambuca, 
-    Lynn Wood Martin+Lynn Wood Martin
  
 Decimal Music,  Decimal Music, 
-    Gary Morrison+Gary Morrison
  
 Decadence (score),  Decadence (score), 
-    Gary Morrison+Gary Morrison
  
 Item: Thoughts while Designing a Gamelan,  Item: Thoughts while Designing a Gamelan, 
-    Lou Harrison+Lou Harrison
  
 A Chart of All Superparticular Ratios from 2/1 through 81/80 with Value (or Size) in Cents (chart),  A Chart of All Superparticular Ratios from 2/1 through 81/80 with Value (or Size) in Cents (chart), 
-    William Colvig+William Colvig
  
 Four Duets for Psaltery and Harp (score),  Four Duets for Psaltery and Harp (score), 
-    David Rosenthal+David Rosenthal
  
 Helix Song (score),  Helix Song (score), 
-    David Rosenthal+David Rosenthal
  
 Four Pieces in Didymus's Chromatic (score),  Four Pieces in Didymus's Chromatic (score), 
-    Larry London+Larry London
  
 Movement for Andréa Smith (My Funny Valentine for Just String Quartet) (score),  Movement for Andréa Smith (My Funny Valentine for Just String Quartet) (score), 
-    Larry Polansky+Larry Polansky
  
 Binary Flute,  Binary Flute, 
-    Denny Genovese+Denny Genovese
  
 Web of Fifths and Thirds (chart),  Web of Fifths and Thirds (chart), 
-    Scott Makeig+Scott Makeig
  
 Polychordal Arrays of MOS Scales,  Polychordal Arrays of MOS Scales, 
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
 A Collection of Scales With Nineteen Tones,  A Collection of Scales With Nineteen Tones, 
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
 Some Additional Nineteen-tone Scales,  Some Additional Nineteen-tone Scales, 
-    John H. Chalmers, Jr. +John H. Chalmers, Jr. 
  
 ===Volume 9 (1986)=== ===Volume 9 (1986)===
  
 Notes and Comments,  Notes and Comments, 
-    Daniel J. Wolf+Daniel J. Wolf
  
 Tritriadic Scales with Seven Tones,  Tritriadic Scales with Seven Tones, 
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
 A Kind Word or Two About Alexander John Ellis on the Occasion of the Centennial 1885-1985 of the Second English Edition of His Translation of and Appendix to Helmholtz's Sensations of Tone,  A Kind Word or Two About Alexander John Ellis on the Occasion of the Centennial 1885-1985 of the Second English Edition of His Translation of and Appendix to Helmholtz's Sensations of Tone, 
-    Ivor Darreg+Ivor Darreg
  
 Without Frets (I): General Considerations,  Without Frets (I): General Considerations, 
-    David Feldman+David Feldman
  
 Going Places (score),  Going Places (score), 
-    David Feldman+David Feldman
  
 Combination-Product Set Patterns,  Combination-Product Set Patterns, 
-    Kraig Grady+Kraig Grady
  
 String Quartet (1965-1975), I.S.I.M (score),  String Quartet (1965-1975), I.S.I.M (score), 
-    Douglas Leedy+Douglas Leedy
  
 Will You Miss Me (score),  Will You Miss Me (score), 
-    Larry Polansky+Larry Polansky
  
 The Marwa Permutations,  The Marwa Permutations, 
-    Ervin M. Wilson+Ervin M. Wilson
  
 The Melodic Version (1984) of The Second Dream of the High-Tension Line Stepdown Transformer from The Four Dreams of China (1962): Notes by the Composer,  The Melodic Version (1984) of The Second Dream of the High-Tension Line Stepdown Transformer from The Four Dreams of China (1962): Notes by the Composer, 
-    La Monte Young +La Monte Young 
  
 ===Volume 10 (1987)=== ===Volume 10 (1987)===
  
 Notes and Comments,  Notes and Comments, 
-    D. J. Wolf+D. J. Wolf
  
 Monochordal Interpretations of Propositions in Euclid's Elements,  Monochordal Interpretations of Propositions in Euclid's Elements, 
-    Jon Barlow+Jon Barlow
  
 Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties,  Tritriadic Scales with Seven Tones, Part Two: Derived Forms and Structural Properties, 
-    John H. Chalmers, Jr.+John H. Chalmers, Jr.
  
 Table of Errors in Equally-Tempered Intervals (chart),  Table of Errors in Equally-Tempered Intervals (chart), 
-    Ivor Darreg+Ivor Darreg
  
 Four Bass Studies (what to do when the night comes...) (score),  Four Bass Studies (what to do when the night comes...) (score), 
-    Larry Polansky+Larry Polansky
  
 The Purvi Modulations,  The Purvi Modulations, 
-    Ervin M. Wilson+Ervin M. Wilson
  
 Trio: The Sands (music that doesn't bother) (score),  Trio: The Sands (music that doesn't bother) (score), 
-    Daniel Wolf +Daniel Wolf 
  
 ===Volume 11 (1989)=== ===Volume 11 (1989)===
  
 Notes and Comments,  Notes and Comments, 
-    Daniel J. Wolf,  +Daniel J. Wolf,  
-    p. ii+p. ii
  
 Tetrachordal Scales and Complexes,  Tetrachordal Scales and Complexes, 
-    John H. Chalmers, Jr.,   +John H. Chalmers, Jr.,  
-    pp. 1-20+pp. 1-20
  
 A Question of Microtonal Notation,  A Question of Microtonal Notation, 
-    Ezra Sims,   +Ezra Sims,  
-    pp. 21-24+pp. 21-24
  
 Speculum Pélogi,  Speculum Pélogi, 
-    D. J. Wolf,   +D. J. Wolf,  
-    pp. 25-33+pp. 25-33
  
 Mr. Cage, His Ghosts, and Cheap Imitation(s),  Mr. Cage, His Ghosts, and Cheap Imitation(s), 
-    Daniel J. Wolf,   +Daniel J. Wolf,  
-    pp. 34-42+pp. 34-42
  
 A Linear Twenty-Nine Tone Scale,  A Linear Twenty-Nine Tone Scale, 
-    Jose L. Garcia,   +Jose L. Garcia,  
-    pp. 43-45+pp. 43-45
  
 Notes on a New Marimba, its Tuning, and its Music,  Notes on a New Marimba, its Tuning, and its Music, 
-    Erv Wilson, Stephen Smith, and Kraig Grady,   +Erv Wilson, Stephen Smith, and Kraig Grady,  
-    pp. 46-60+pp. 46-60
  
 Review of The Science of Musical Sound, by John R. Pierce; and Lutes, Viols and Temperaments, by Mark Lindley,  Review of The Science of Musical Sound, by John R. Pierce; and Lutes, Viols and Temperaments, by Mark Lindley, 
-    Douglas Leedy,   +Douglas Leedy,  
-    pp. 61-67+pp. 61-67
  
 Movement for Lou Harrison, for just bass quartet (score),  Movement for Lou Harrison, for just bass quartet (score), 
-    Larry Polansky,   +Larry Polansky,  
-    pp. 68-89+pp. 68-89
  
 Xenharmonikon I through Xenharmonikon X, an Index (chart),  Xenharmonikon I through Xenharmonikon X, an Index (chart), 
-    Daniel J. Wolf,   +Daniel J. Wolf,  
-    pp. 90-93 +pp. 90-93 
  
 ===Volume 12 (Spring 1989)=== ===Volume 12 (Spring 1989)===
  
 Notes and Comments,  Notes and Comments, 
-    Daniel J. Wolf ,  +Daniel J. Wolf,  
-    p. ii+p. ii
  
 D'alessandro, Like a Hurricane,  D'alessandro, Like a Hurricane, 
-    Erv Wilson ,  +Erv Wilson,  
-    pp. 1-39+pp. 1-39
  
 Tritriadic Scales with Seven Tones. Part Three: The M->T and D->M Matrices,  Tritriadic Scales with Seven Tones. Part Three: The M->T and D->M Matrices, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 40-68+pp. 40-68
  
 Development of a 53-tone Keyboard Layout,  Development of a 53-tone Keyboard Layout, 
-    Larry A. Hanson ,  +Larry A. Hanson,  
-    pp. 69-87+pp. 69-87
  
 Supplement: Makers of Instruments, et cetera, Part 1 (advertisement),  Supplement: Makers of Instruments, et cetera, Part 1 (advertisement), 
-    Daniel J. Wolf ,  +Daniel J. Wolf,  
-    pp. 88-89 +pp. 88-89 
  
 ===Volume 13 (Spring 1991)=== ===Volume 13 (Spring 1991)===
  
 Notes and Comments,  Notes and Comments, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 1-3+pp. 1-3
  
 Information and Guidelines for Subscribers and Contributors to Xenharmonikôn,  Information and Guidelines for Subscribers and Contributors to Xenharmonikôn, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 3-4+pp. 3-4
  
 Biases in Xenharmonic Scales,  Biases in Xenharmonic Scales, 
-    I. Darreg and B. McLaren ,  +I. Darreg and B. McLaren,  
-    pp. 5-19+pp. 5-19
  
 General Methods for Generating Musical Scales,  General Methods for Generating Musical Scales, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 20-44+pp. 20-44
  
 Notes Towards Quasi-Tonal Treiskaidekaphilia,  Notes Towards Quasi-Tonal Treiskaidekaphilia, 
-    Paul Rapoport ,  +Paul Rapoport,  
-    pp. 45-52+pp. 45-52
  
 Three Approaches to Harmony in 13-TET,  Three Approaches to Harmony in 13-TET, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 53-64+pp. 53-64
  
 Interactive Program - Just Modulations (computer program),  Interactive Program - Just Modulations (computer program), 
-    Buzz Kimball ,  +Buzz Kimball,  
-    pp. 65-66+pp. 65-66
  
 Season of Dust (score),  Season of Dust (score), 
-    Buzz Kimball ,  +Buzz Kimball,  
-    pp. 67-69+pp. 67-69
  
 T1: california duet for trombone and trombonist (score),  T1: california duet for trombone and trombonist (score), 
-    R. Marsanyi ,  +R. Marsanyi,  
-    pp. 70-76+pp. 70-76
  
 Composing in Seven Equal,  Composing in Seven Equal, 
-    Clem Fortuna ,  +Clem Fortuna,  
-    pp. 77-79+pp. 77-79
  
 String Quartet in Seven-Equal (score),  String Quartet in Seven-Equal (score), 
-    C. Fortuna ,  +C. Fortuna,  
-    pp. 80-85+pp. 80-85
  
 The Discovery of a 14-tone Scale,  The Discovery of a 14-tone Scale, 
-    Kraig Grady ,  +Kraig Grady,  
-    pp. 86-89+pp. 86-89
  
 A Graphical Technique for Finding Equally-Tempered Scales by Their Harmonic Resources,  A Graphical Technique for Finding Equally-Tempered Scales by Their Harmonic Resources, 
-    Gary Morrison ,  +Gary Morrison,  
-    pp. 90-94+pp. 90-94
  
 Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch,  Review of Selected Musical Compositions (1948-1972), by Adriaan Daniël Fokker, edited by Rudolf Rasch, 
-    Douglas Leedy ,  +Douglas Leedy,  
-    pp. 95-99+pp. 95-99
  
 Review of Pitch for the International Microtonalist, Vol. 1, No. 4, edited by Johnny Reinhard,  Review of Pitch for the International Microtonalist, Vol. 1, No. 4, edited by Johnny Reinhard, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 100-101+pp. 100-101
  
 Review of Pitch, Pi, and Other Musical Paradoxes, by Charles E. H. Lucy,  Review of Pitch, Pi, and Other Musical Paradoxes, by Charles E. H. Lucy, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 102-103+pp. 102-103
  
 Resources,  Resources, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 104-105 +pp. 104-105 
  
 ===Volume 14 (Spring 1993)=== ===Volume 14 (Spring 1993)===
  
 Notes & Comments,  Notes & Comments, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 1-2+pp. 1-2
  
 Those Difficult Teens (and Other Microtonal Scales),  Those Difficult Teens (and Other Microtonal Scales), 
-    B. McLaren ,  +B. McLaren,  
-    pp. 3-6+pp. 3-6
  
 A Nostalgic Look at the 20s (& Other Microtonal Scales),  A Nostalgic Look at the 20s (& Other Microtonal Scales), 
-    B. McLaren ,  +B. McLaren,  
-    pp. 6-8+pp. 6-8
  
 The Low Profile of Those Higher Divisions of the Octave,  The Low Profile of Those Higher Divisions of the Octave, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 8-11+pp. 8-11
  
 The Uses and Characteristics of Non-octave Scales,  The Uses and Characteristics of Non-octave Scales, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 12-22+pp. 12-22
  
 An Interview With Ivor Darreg About "The Xenharmonic Frontier",  An Interview With Ivor Darreg About "The Xenharmonic Frontier", 
-    B. McLaren ,  +B. McLaren,  
-    pp. 23-39+pp. 23-39
  
 An Analysis of Ivor Darreg's XF1, Volume 1, Number 12,  An Analysis of Ivor Darreg's XF1, Volume 1, Number 12, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 40-49+pp. 40-49
  
 Xenharmonic Frontier Vol. 1, No. 9: 21/oct (score),  Xenharmonic Frontier Vol. 1, No. 9: 21/oct (score), 
-    Ivor Darreg ,  +Ivor Darreg,  
-    pp. 50-52+pp. 50-52
  
 Xenharmonic Bulletin No. 12,  Xenharmonic Bulletin No. 12, 
-    Ivor Darreg ,  +Ivor Darreg,  
-    pp. 53-79+pp. 53-79
  
 Horn (score),  Horn (score), 
-    Larry Polansky ,  +Larry Polansky,  
-    pp. 80-90+pp. 80-90
  
 Epimores (score),  Epimores (score), 
-    Carter Scholz ,  +Carter Scholz,  
-    pp. 91-92+pp. 91-92
  
 An Imaginary Nocturne (score),  An Imaginary Nocturne (score), 
-    Douglas Walker ,  +Douglas Walker,  
-    pp. 93-108+pp. 93-108
  
 limit19.c, a limit 19 calculator for just intonation music composition (computer program),  limit19.c, a limit 19 calculator for just intonation music composition (computer program), 
-    Matthew Walker ,  +Matthew Walker,  
-    pp. 109-113 +pp. 109-113 
  
 ===Volume 15 (Autumn 1993)=== ===Volume 15 (Autumn 1993)===
  
 Notes & Comments 15,  Notes & Comments 15, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 1-2+pp. 1-2
  
 The Tonality of the Golden Section,  The Tonality of the Golden Section, 
-    Walter O'Connell ,  +Walter O'Connell,  
-    pp. 3-18+pp. 3-18
  
 The Year of the Monkey,  The Year of the Monkey, 
-    Brink McGoogy ,  +Brink McGoogy,  
-    pp. 19-26+pp. 19-26
  
 The Uses and Characteristics of Non-just Non-equal-tempered Scales,  The Uses and Characteristics of Non-just Non-equal-tempered Scales, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 27-41+pp. 27-41
  
 Circles of Fifths,  Circles of Fifths, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 42-51+pp. 42-51
  
 9/Oct Piano Piece (score),  9/Oct Piano Piece (score), 
-    B. McLaren ,  +B. McLaren,  
-    pp. 52-55+pp. 52-55
  
 Giving Number a Voice,  Giving Number a Voice, 
-    Douglas Leedy ,  +Douglas Leedy,  
-    pp. 56-59+pp. 56-59
  
 The Triadic Diamond, the Triadic Reversed Diamond and Their Constituent Tetrachords when D = 3/2,  The Triadic Diamond, the Triadic Reversed Diamond and Their Constituent Tetrachords when D = 3/2, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 60-73+pp. 60-73
  
 The Touch-Tone® Signal Pitches as Subsets of Stretched 14-Tone ET's,  The Touch-Tone® Signal Pitches as Subsets of Stretched 14-Tone ET's, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 74-80+pp. 74-80
  
 Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude,  Cents and Non-Cents: Logarithmic Measures of Musical Interval Magnitude, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 81-95+pp. 81-95
  
 Review of The Just Intonation Primer, by David B. Doty,  Review of The Just Intonation Primer, by David B. Doty, 
-    John H. Chalmers, Jr. ,  +John H. Chalmers, Jr.,  
-    pp. 96-97+pp. 96-97
  
 A Numerical Theory of Scale Invention,  A Numerical Theory of Scale Invention, 
-    Bruce R. Gilson ,  +Bruce R. Gilson,  
-    pp. 98-134 +pp. 98-134 
  
 ===Volume 16 (Autumn 1995)=== ===Volume 16 (Autumn 1995)===
  
 Notes & Comments 16,  Notes & Comments 16, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 1-3+pp. 1-3
  
 In Memoriam Ivor Darreg,  In Memoriam Ivor Darreg, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 4-18+pp. 4-18
  
 Ivor Darreg: An Interview About His Life and Work,  Ivor Darreg: An Interview About His Life and Work, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 19-35+pp. 19-35
  
 Macrotonal Scales,  Macrotonal Scales, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 36-44+pp. 36-44
  
 More About Non-Octave Scales,  More About Non-Octave Scales, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 45-53+pp. 45-53
  
 An Interview with Ralph David Hill,  An Interview with Ralph David Hill, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 54-60+pp. 54-60
  
 The Notation of Equal Temperaments,  The Notation of Equal Temperaments, 
-    Paul Rapoport ,  +Paul Rapoport,  
-    pp. 61-84+pp. 61-84
  
 34-Tone Notation System Based on Adjusted 17-Tone,  34-Tone Notation System Based on Adjusted 17-Tone, 
-    Gary Morrison ,  +Gary Morrison,  
-    pp. 86-91+pp. 86-91
  
 On the Nature of Working with Performers,  On the Nature of Working with Performers, 
-    Kraig Grady ,  +Kraig Grady,  
-    p. 92+p. 92
  
 Centaur - A 7-Limit 12 Tone Tuning (chart),  Centaur - A 7-Limit 12 Tone Tuning (chart), 
-    K. Grady ,  +K. Grady,  
-    p. 93+p. 93
  
 A Rhythmic Application of the Horagrams,  A Rhythmic Application of the Horagrams, 
-    Kraig Grady ,  +Kraig Grady,  
-    pp. 94-98+pp. 94-98
  
 Drones 1994 #2: Old Commas Inverted and Revisited (score),  Drones 1994 #2: Old Commas Inverted and Revisited (score), 
-    Warren Burt ,  +Warren Burt,  
-    pp. 99-102+pp. 99-102
  
 "COMMAS" Dec. 92-Jan. 93 for Electronic Keyboard (score),  "COMMAS" Dec. 92-Jan. 93 for Electronic Keyboard (score), 
-    Warren Burt ,  +Warren Burt,  
-    p. 103+p. 103
  
 A Brief History of the Lambdoma and the Musical Properties of the Computer Program for the "Lambdoma Harmonic Keyboard"TM,  A Brief History of the Lambdoma and the Musical Properties of the Computer Program for the "Lambdoma Harmonic Keyboard"TM, 
-    Barbara Hero ,  +Barbara Hero,  
-    pp. 104-113+pp. 104-113
  
 Notes on Mysteries,  Notes on Mysteries, 
-    Neil Haverstick ,  +Neil Haverstick,  
-    pp. 114-115+pp. 114-115
  
 Mysteries (score),  Mysteries (score), 
-    Neil Haverstick ,  +Neil Haverstick,  
-    pp. 116-117+pp. 116-117
  
 Studien im Gebiet der reinen Stimmung (A Translation of Pages 8 to 18 by Daniel J. Wolf),  Studien im Gebiet der reinen Stimmung (A Translation of Pages 8 to 18 by Daniel J. Wolf), 
-    Shohé Tanaka ,  +Shohé Tanaka,  
-    pp. 118-125+pp. 118-125
  
 Review of Principios de la Gama Dinámica, by Eduardo Sábat Garibaldi,  Review of Principios de la Gama Dinámica, by Eduardo Sábat Garibaldi, 
-    John Chalmers ,  +John Chalmers,  
-    pp. 126-127 +pp. 126-127 
  
 ===Volume 17 (Spring 1998)=== ===Volume 17 (Spring 1998)===
  
 Notes & Comments 17,  Notes & Comments 17, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 1-3+pp. 1-3
  
 Notes on Lattice: one approach to dynamic tuning,  Notes on Lattice: one approach to dynamic tuning, 
-    Carter Scholz ,  +Carter Scholz,  
-    pp. 4-8+pp. 4-8
  
 34-ET Notation System Based on Major and Minor Thirds,  34-ET Notation System Based on Major and Minor Thirds, 
-    Larry A. Hanson ,  +Larry A. Hanson,  
-    pp. 9-11+pp. 9-11
  
 Tuning, Tonality and Twenty-Two-Tone Temperament,  Tuning, Tonality and Twenty-Two-Tone Temperament, 
-    Paul Erlich ,  +Paul Erlich,  
-    pp. 12-40+pp. 12-40
  
 The Musical Animal's Musical Adventures,  The Musical Animal's Musical Adventures, 
-    Heinz Bohlen ,  +Heinz Bohlen,  
-    pp. 41-56+pp. 41-56
  
 A Brief History of Microtonality in the Twentieth Century,  A Brief History of Microtonality in the Twentieth Century, 
-    B. McLaren ,  +B. McLaren,  
-    pp. 57-110+pp. 57-110
  
 The Number of 23-Prime-Limit Superparticular Ratios Less than 10,000,000,  The Number of 23-Prime-Limit Superparticular Ratios Less than 10,000,000, 
-    John H. Chalmers ,  +John H. Chalmers,  
-    pp. 111-115+pp. 111-115
  
 Pitch, Scale and Tuning in Rusty: A Fuzzy Logic Approach to the Tuning Problem,  Pitch, Scale and Tuning in Rusty: A Fuzzy Logic Approach to the Tuning Problem, 
-    Michael Saunders and Michael Greenhough ,  +Michael Saunders and Michael Greenhough,  
-    pp. 116-119+pp. 116-119
  
 Review of On the Relations of Tone, by Martin Vogel,  Review of On the Relations of Tone, by Martin Vogel, 
-    Douglas Leedy ,  +Douglas Leedy,  
-    pp. 120-123+pp. 120-123
  
 Letter to the Editor,  Letter to the Editor, 
-Heinz Bohlen , +Heinz Bohlen, 
 p. 124  p. 124 
  
-===NOTES=== +====NOTES===
-Link to with Web Archive (snapshot from 2002) of the Xenharmonicon website ((https://web.archive.org/web/20011217135938/http://www.tiac.net/users/xen/xh/tables-of-contents.html)) +There is a new journal started in 2018 also running under the name Xenharmonikon ((https://www.xenharmonikon.org/about/)) 
 +Link to with Web Archive (snapshot from December 17th 2001) of the Xenharmonicon website ((https://web.archive.org/web/20011217135938/http://www.tiac.net/users/xen/xh/tables-of-contents.html)) 
  
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