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==== THE FURRY VOICE ==== | ==== THE FURRY VOICE ==== | ||
+ | [[voice_studies]] \\ | ||
Uwu what's that? The intersection of horny and cringe. \\ | Uwu what's that? The intersection of horny and cringe. \\ | ||
the voice that is the intersection of gay and autistic \\ | the voice that is the intersection of gay and autistic \\ | ||
+ | |||
+ | what is the furry fandom, (write an explanation for Nina) \\ | ||
+ | |||
===personal notes=== | ===personal notes=== | ||
+ | |||
+ | |||
Make a list of furry musicians, discuss the 3 classes of furry music- \\ | Make a list of furry musicians, discuss the 3 classes of furry music- \\ | ||
Music adopted by furries \\ | Music adopted by furries \\ | ||
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Music made by furries for furries \\ | Music made by furries for furries \\ | ||
see [[Furry Music Makers]] \\ | see [[Furry Music Makers]] \\ | ||
+ | |||
+ | video game music \\ | ||
+ | the monster in its ability to be more then human. \\ | ||
+ | the benefits or the repair of the monster \\ | ||
+ | |||
+ | furry translators \\ | ||
+ | furry text generators \\ | ||
+ | |||
+ | which body do people focus on, the body of the 'voice actor' or the body of the character? \\ | ||
+ | online sonic violence. think who is doxxed and why, does this have a relation to furry voice? \\ | ||
+ | furry sound ecology, relation to furry sound and animals in the ecological sense \\ | ||
+ | |||
+ | ==Does the voice match the body?-== | ||
+ | With the furry voice there seems to be a miss-match between the body of the speaker and the voice emitted. This is present in both the use of furry voice and the use of speaking while in fursuit. \\ | ||
+ | |||
+ | Why are furries not suppose to speak while in fursuit? \\ | ||
+ | Who is vocalizing? \\ | ||
+ | what is vocalized? \\ | ||
+ | what is communicated? | ||
+ | what is perceived? heard? noted? \\ | ||
+ | what is notated (' | ||
+ | |||
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- | ==Con related voice== | + | ==Con related |
+ | How do people make assumptions about speech at cons? | ||
+ | One can talk differently at a con without any confusions about it, why is that? There is a sense of consensus about a shift in language, a code switching? or is it something else? I continuous and mass role play of sorts? is it a special performance? | ||
+ | collective noise making. starting a ' | ||
+ | |||
+ | ==The voice in Fursuit== | ||
The muffled voice- The voice of a fursuit, projection through a fursuit \\ | The muffled voice- The voice of a fursuit, projection through a fursuit \\ | ||
The voiceless, fursuiting and only signing \\ | The voiceless, fursuiting and only signing \\ | ||
ventriloquism in suit is it my voice or the voice of my sona? \\ | ventriloquism in suit is it my voice or the voice of my sona? \\ | ||
- | |||
- | collective noise making. starting a ' | ||
- | |||
===Questions=== | ===Questions=== | ||
Is there a distinct voice that furries have? \\ | Is there a distinct voice that furries have? \\ | ||
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Is infantilization a key element of this? \\ | Is infantilization a key element of this? \\ | ||
+ | Furry online spaces. Define how telegram, twitter and other online spaces define how furries communicate. | ||
+ | This is not the voice, but informs the voices with a back and forth of culture and communication. \\ | ||
+ | for example Uwu and owo both are a visual object (faces) as well as pronounced and spoken language. There is an element of how the online informs the spoken and the spoken then feedbacks to the online. \\ | ||
====Media==== | ====Media==== | ||
===MUSIC=== | ===MUSIC=== | ||
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==Noises== | ==Noises== | ||
Should we start a howl? Little Alpha Pup at Nordic Fuzzcon 2024 ((https:// | Should we start a howl? Little Alpha Pup at Nordic Fuzzcon 2024 ((https:// | ||
+ | |||
+ | |||
+ | ===Speculative Bibliography=== | ||
+ | from The Queen’s Throat: Opera, Homosexuality, | ||
+ | Opera Queens (for [[Contemporary_opera]]) \\ | ||
+ | The Shut-in Fan: Opera at Home \\ | ||
+ | The Codes of Deva Conduct \\ | ||
+ | The Queen' | ||
+ | |||
+ | |||
+ | Transgender Passing Guides and the Vocal Performance of Gender and Sexuality, Stephan Pennington | ||
+ | |||
+ | from Foundations of Voice Studies An Interdisciplinary Approach to Voice Production and Perception- \\ | ||
+ | 8 Linguistic Uses of Voice Quality: How Voice Signals Linguistic and Pragmatic Aspects of Communication, | ||
+ | 9 Perception of E1notion and Personality fro1n Voice, Jody Kreiman & Diana Sidtis\\ | ||
+ | |||
+ | from Sounding Off: Theorizing Disability in Music- \\ | ||
+ | Introduction: | ||
+ | Learning to Hear Autistically, | ||
+ | The Organ of the Soul: Voice, Damage, and Affect, Laurie Stras \\ | ||
+ | |||
+ | |||
+ | Monster Culture (Seven Thesis) Jeffrey Jerome Cohen \\ | ||
+ | |||
+ | Yerfology- ((https:// | ||
+ | The Furry Fandom: Moving Transgender into the Posthuman, Jessica Ruth Austin, SAMLA 90 conference papers ((https:// | ||
+ | Keeping the Magic: Fursona Identity and Performance in the Furry Fandom, Jakob Maase ((https:// | ||
+ | Wolves, Dragons, and Ponies… Oh My! Fursonas and Stigmatization in the “Human” World, Torie E. Lucas ((https:// | ||
+ | Alternative Identity Mediation Across Space and Performance, | ||
+ | Hanging Out in the Virtual Pub: Masculinities and Relationships Online, Lori Kendall \\ | ||
+ | Trans youth and social media: moving between counterpublics and the wider web, Olu Jenzen, pp. 1626-1641 \\ | ||
+ | Breaking Down Stereotypes: | ||
+ | “There’s A Little Bit of That Magic Where I’m Becoming Something Else”: LGBT+ Furry Identity Formation and Belonging Online, Mary Heinz, The Journal for Undergraduate Ethnography, | ||
+ | Bringing out the animal in me: An examination of art and the individual within the Furry subculture, Jacqueline Danielle Guerrier \\ | ||
+ | Becoming deer: Nonhuman drag and online utopias, | ||
+ | Animacies: Biopolitics, | ||
+ | Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance, | ||
+ | Furry Cartography: | ||
+ | Posthum/ | ||
+ | “It Gives me Thunder”: Reflections on “Becoming Fur.”, Chris Seabrook \\ | ||
+ | |||
+ | Fursonas: Furries, Community, and Identity Online, Ben Silverman \\ | ||
+ | Furry Nation: The True Story of America’s Most Misunderstood Subculture, Joe Strike \\ | ||
+ | |||
+ | from Furscience: A Decade of Psychological Research on the Furry Fandom- ((https:// | ||
+ | Chapter 2 – Furry 101: A (Brief) history of the Furry Fandom, Joe Strike (specifically on the coining of the word furry) \\ | ||
+ | Chapter 5 – What’s a Furry?, Courtney “Nuka” Plante \\ | ||
+ | Chapter 7 – Fursonas – Up Close and Fursonal, Courtney “Nuka” Plante \\ | ||
+ | Chapter 10 – OwO What’s This? Sex and Pornography, | ||
+ | Chapter 11 – Fuzzy Lines: Subgroups and Furry-Adjacent Groups Stephen Reysen, Courtney “Nuka” Plante \\ | ||
+ | Chapter 14 – Racialized Identity Groups and Ethnicity in the Furry Fandom, Sharon E. Roberts, Camielle Adams, Courtney “Nuka” Plante \\ | ||
+ | Chapter 15 – Sex and Gender in the Furry Fandom, Anna Renee Henry, Frances H. I. Henry, Sharon E. Roberts, Courtney “Nuka” Plante \\ | ||
+ | Chapter 16 – Sexual Orientation in the Furry Fandom, Frances H. I. Henry, Anna Renee Henry \\ | ||
+ | |||
+ | |||
+ | ===Flüfferdämmerung=== | ||
+ | |||
+ | {{youtube> | ||
+ | Flüfferdämmerung((https:// | ||
+ | Called a Nordic Opera and took place on February 22nd, 2024, in Malmö, Sweden during NordicFuzzCon \\ | ||
+ | Produced by Vozzy & Chester \\ | ||
+ | Libretto by Valkyrie Tina \\ | ||
+ | Narrated by Pinky Fennec \\ | ||
+ | Singers- \\ | ||
+ | Modi: Chester The Geroo \\ | ||
+ | Forsetti: Dan The Singing Tiger \\ | ||
+ | Grettir: Little Alpha Pup \\ | ||
+ | Heroes: NFC Dance Ensemble \\ | ||
+ | Musicians- \\ | ||
+ | Violin/ | ||
+ | Contrabass: Kimbo Burr \\ | ||
+ | Piano/ | ||
+ | Production crew- \\ | ||
+ | Choreographer: | ||
+ | Lights, Sound & Video: NFC STEW \\ | ||
+ | |||
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{{topic> furry}} \\ | {{topic> furry}} \\ | ||
- | {{tag> | + | {{tag> |