Differences
This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
xenharmonicon [2022/04/05 10:29] – mete | xenharmonicon [2022/04/05 10:40] (current) – [NOTES] mete | ||
---|---|---|---|
Line 1: | Line 1: | ||
- | The Xenharmonicon | + | The Xenharmonicon |
+ | ====Current Journal 2018+==== | ||
+ | ((https:// | ||
+ | |||
+ | |||
+ | |||
+ | ====Historic Issues 1974-1998==== | ||
+ | |||
+ | The Xenharmonicon was a journal that ran from 1974 to 1998 that had a focus on experimental and microtonal music. The magazine was published by [[John H. Chalmers]] through the University of California San Diego. There is no known digital copies of the magazine but there is an archive of the articles that were originally published in it. | ||
===Volume 1 (Spring 1974)=== | ===Volume 1 (Spring 1974)=== | ||
Line 709: | Line 717: | ||
Letter to the Editor, | Letter to the Editor, | ||
- | Heinz Bohlen , | + | Heinz Bohlen, |
p. 124 | p. 124 | ||
- | ===NOTES=== | + | ====NOTES==== |
- | Link to with Web Archive (snapshot from 2002) of the Xenharmonicon website ((https:// | + | There is a new journal started in 2018 also running under the name Xenharmonikon ((https:// |
+ | Link to with Web Archive (snapshot from December 17th 2001) of the Xenharmonicon website ((https:// | ||
+ | The historic issues are available to purchase as physical copies (still no digital copies to be found) ((http:// | ||