Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| xenharmonicon [2022/04/05 10:29] – mete | xenharmonicon [2022/04/05 10:40] (current) – [NOTES] mete | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | The Xenharmonicon | + | The Xenharmonicon |
| + | ====Current Journal 2018+==== | ||
| + | ((https:// | ||
| + | |||
| + | |||
| + | |||
| + | ====Historic Issues 1974-1998==== | ||
| + | |||
| + | The Xenharmonicon was a journal that ran from 1974 to 1998 that had a focus on experimental and microtonal music. The magazine was published by [[John H. Chalmers]] through the University of California San Diego. There is no known digital copies of the magazine but there is an archive of the articles that were originally published in it. | ||
| ===Volume 1 (Spring 1974)=== | ===Volume 1 (Spring 1974)=== | ||
| Line 709: | Line 717: | ||
| Letter to the Editor, | Letter to the Editor, | ||
| - | Heinz Bohlen , | + | Heinz Bohlen, |
| p. 124 | p. 124 | ||
| - | ===NOTES=== | + | ====NOTES==== |
| - | Link to with Web Archive (snapshot from 2002) of the Xenharmonicon website ((https:// | + | There is a new journal started in 2018 also running under the name Xenharmonikon ((https:// |
| + | Link to with Web Archive (snapshot from December 17th 2001) of the Xenharmonicon website ((https:// | ||
| + | The historic issues are available to purchase as physical copies (still no digital copies to be found) ((http:// | ||
